Vote for Belwood Music in the UK Blog Awards!

blog awards rectangleI’m delighted to announce that Belwood is up this year for the UK Blog Awards in the individual arts and culture category. In order to proceed to the next stage I need your help! All I ask is that you take a moment out of your day and VOTE! It really does mean the world. ❤️


Top Tracks: Will Varley – Statues

If you need a heartwarming track to help you snuggle up on these cold winter nights, then the latest single from singer/songwriter Will Varley is just what the doctor ordered. Taken from his upcoming album Spirit Of Minnie, out 9th February, ‘Statues’ is a laid back slice of Americana boasting a rich musical palette of airy slide guitar, quiet contemplative folk and Will’s gritty vocals. Lyrically it talks about feeling stuck in a particular place and time, longing for change, but should you find yourself stuck with this sublime song on repeat I wouldn’t change a thing. It’s the perfect song to get lost in and forget about life for a while, and there’s sure to be more great tracks just like it on the way in the new year.

Interview: Mark Stoermer

mark stoermerIt’s truly been a stand-out year for stunning solo albums from members of big established bands. One of the main highlights was the surreal psychedelic soundscapes and theatrical lyricism of Filthy Apes and Lions from The Killers bassist Mark Stoermer. Creating colourful worlds and spinning sinister stories, it was one of the most surprising releases of the year. Belwood Music was lucky enough to catch up with Mark over the phone and ask a few quick questions about his new solo record, as well as talk about The Killer’s new album Wonderful Wonderful: Continue reading

Top Tracks: Winter Mountain – Platinum and Gold

If some celestial visitor with no experience of humanity and it’s art asked for some examples what would you give them? If you had sum up what folk, in particular that indefinable Americana sound, was all about in one song, you’d present a damn good case with the new single from Winter Mountain. It has all the musical elements you’d expect; resplendent guitar tones, a warm welcoming atmosphere, and vocals that find the perfect mid-point between gritty and uplifting. More than that however, the music reflects part of the human spirit. The video is a perfect fit with its crashing waves and roaring campfire, as if you just close your eyes you naturally imagine just such a scene. Music says a lot about an artist, but sometimes it’s nice to find a song that lets you sit back and see the bigger picture, and think of the art that’s in all of us.

Top Tracks: Gus Harrower – Cell Dilution

The new single from Scottish singer/songwriter Gus Harrower really doesn’t mess around. With ‘Cell Dilution’, taken from his upcoming EP Where We Were, Gus throws everything he’s got at you. The piano led intro weaves through some suave little swing sections into impassioned heartfelt balladry. It’s not long however until the track kicks it up a notch, throwing stylish synths and expressive drums into the mix, punctuated with gritty guitar bursts. This track is straining at the seams, crammed full of varied and engaging sounds, of which I’d pick out the jazzy piano work as the pièce de résistance. There are few acts this year that can pack in so much diversity and yet still make it work, which really reflects Gus’ talents as a songwriter and the enormous potential he carries.

Sound of 2018

sound of 2018If current music musings on social media are any indication, the “sound of 2018” will be that of petty squabbling and pretentious ramblings. As the year draws to a close and the industry slowly shuts down ready to hibernate over Christmas, there comes the customary last hurrah of end-of-year lists and ones-to-watch for the year ahead. There’s always an element of one-upmanship in these proceedings every year, but this year in particular has been notable for the amount of unnecessary vitriol being thrown around. I’m hoping this year will be the straw that broke the camel’s back, rather than a sign of further pointless bickering to come.  Continue reading

Top Tracks: Chloe Bodur – Glory

There’s a lot of talk this time of year about the “Sound of 2018” and the “ones to watch” in the coming year. Often these just serve to score points, rather than capture any sense of zeitgeist, but I truly feel this debut single represents something significant. With ‘Glory’ young Chloe Bodur brings together subtle little experimental flourishes reminiscent of Frank Ocean and Childish Gambino, but still maintains the smooth and intoxicating appeal of classic soul. It pushes the boundaries enough to stand out from the crowd but is inviting enough to make you want to play it on repeat all day. Mark my words, Chloe is ahead of the curve with this one, and I’m sure we’ll see plenty of other artists unwittingly trying to recreate this sound in 2018. Whether any will beat ‘Glory’ though is another matter.

Top Tracks: Hamish Anderson – U

In a way the birdsong that opens this video couldn’t be any more fitting. This soulful slice of blues rock from Australian artist Hamish Anderson feels so natural. The warm and inviting vibes are just so inherently likeable that it may well be hardwired into your DNA, and the track flows so effortlessly from him as though it were as natural as breathing. The simply titled ‘U’, taken from his debut album Trouble, offers rich vintage guitar tones, smooth and expressive vocals, and the familiar organ hum that has graced many a classic record over the years. The whole track is like the musical equivalent of honey; golden, luscious and bringing with it a kind of rustic charm. This song offers simple pleasures and it delivers and delights by every measure.

Top Tracks: Megan Dixon Hood – Alias Grace

One of the most common and important human desires is a need to be understood, and that is in essence what this new track from Cheshire born singer/songwriter Megan Dixon Hood is all about. ‘Alias Grace’, based on the novel of the same name by Margaret Atwood, tells the tale of the eponymous Grace. Plagued by vicious rumours of a crime she didn’t commit, and lamenting how people wrongly see her as a monster rather than her true self. As well as molding the story’s world and characters into a wonderfully crafted narrative, musically it also offers a gorgeous refined style recalling everyone from Joni Mitchell to Fleetwood Mac. With expressive bass tones, elegant piano, and Megan’s angelic vocals, this song portrays in its music Grace’s true self; tender and dignified, yet equally proud and unyielding.