I remember once reading that nearly everyone unfortunate enough to lose an arm or a leg experiences what’s known as a “phantom limb”. It’s so inconceivable that we can just carry on without such an important part of ourselves that our brains simply can’t process it. Even years after the fact it feels like there’s something still there. I’m of the mind that a similar sensation takes hold after a break-up. When those very deepest of connections that we form – the kind where the other person has your heart completely and becomes part of your whole identity – get severed, it’s hardly surprising that it feels like losing a part of ourselves. ‘This Bird Has Flown’ deftly deals with those phantom threads that remain. How that person remains at the forefront of your thoughts long after their gone. How they’re the first person you think of whenever you have news to share, how all your hopes and dreams of the future still contain an empty silhouette of them, and how some part of you deep down will always leave a light on for them to come back. With his debut single, Bear’s Den founding member Joey Haynes (under the moniker John Revelle) traces those tethers while channelling his inner Neil Young. With its gospel tinged chorus and soft twangs of banjo, this timeless slice of Americana will fittingly stay with you for a long while.
It’s all too easy to get caught up in the worst of humanity and forget to take a step back and appreciate the good; like our uncanny ability to create, to make something seemingly out of nothing. How words on a page can change history, how paint on a canvas can inspire generations, and how a few plucked wires on a piece of wood can make beautiful music. With ‘Giant Leap’ guitarist Joe Devine offers that same sense of perspective and instils a sense of wonder. Though the song’s odd time signature and rock steady rhythm section form an already engaging foundation, the rest of the track feels like Joe has been let loose to weave an entire world of his own creation. A cathedral of sound from a few plucked strings, he packs so much feeling into this one instrumental. This ‘Giant Leap’ soars into the stratosphere with an exhilarating rush, builds moments of tension as though the ground is racing to meet you, and offers dazzlingly quick and intricate changes like a high speed chicane through the treeline. There are moments of stillness that feel like drifting through the clouds gazing at the world below, and it boasts infectious melodies to rival any pop song. I’ve often wondered why instrumental tracks so rarely break into the mainstream, but hearing it done to this standard I’m conscious now of just how high the bar has been set.
The Paper Kites – Roses
Indie Rock | Folk | Synth Pop
A. Smyth – Last Animals
Folk | Alternative
We all lead double lives. We put on a brave face and keep going through the motions, but underneath we’re all fighting our own battles. All the pain and fear that eats away at us, the hopes that we dare to cling to, the little rituals and small moments of joy that keep us together. Even for the most open among us, no one ever sees the real you, no one truly understands what it’s live your life. But sometimes it’s important to remember that the same is true of everyone else. Whether it’s a passing stranger or those closest to us, they’ve all struggled with things you couldn’t even begin to guess at. With this introspective indie rocker, Benedict takes the time to think on the trials that others have faced and wonder what it’s like to see the world through their eyes. What begins as a blend of love, admiration and regret, thinking back on his own sister’s battle with cancer and the hidden torrent of emotions she must have faced, grows into a more universal message of understanding. With its driving beat, compelling chorus, and Benedict’s striking vocals reminiscent of The National’s Matt Berninger, ‘Sweet Sister’ is a timely reminder to be mindful of each other’s struggles and to walk a mile in their shoes every now and then.
Julien Baker – Little Oblivions
Indie Rock | Alternative
We go through our days being told that our youth is the best time of our lives. Very rarely do we believe it at the time however. We’d whittle away our adolescent years daydreaming of what the future might hold, and it’s only with the benefit of hindsight that we begin to appreciate what we had. That stage of important firsts where every emotion burned its brightest. Heartbreak may have been all the keener, but never again will moments of joy feel quite so boundless. That time where all the people most important to us were always close at hand, not knowing you’d eventually drift apart along different paths and at different paces. With his charming debut EP Adolescence, singer/songwriter Luke Todd stands at a lyrical crossroads between the last days of a fading youth and those tentative first steps into adulthood. Taking a nostalgic look back at the carefree days once taken for granted, as well as reflecting on how growing up takes you by surprise and all the ways it fails to meet expectations, this adept songwriter delivers an assured and affecting first record. Continue reading
Wild Pink – A Billion Little Lights
Americana | Indie Rock
I can’t remember the last time I heard so much meaning packed into such a brief song. Despite not even breaking the 3 minute mark, there’s so much feeling to be found in the latest single from Swedish singer/songwriter Jonas Källstrand. Exploring the sorrows of loss, and all the emptiness and uncertainty that follows, ‘Dad’ is a poignant and plaintive search for some ray of light to cling to. The beautifully bittersweet indie folk arrangement drifts and twirls like an autumn leaf on the breeze, and lends a comforting sense of melody to Jonas’ emotive lyricism. It’s closing refrain of “I’ve heard that no one is an island, but now the water’s closing in…” is left echoing in your thoughts as the song abruptly fades to silence, like the flicker of a candle flame snuffed out by the dark. But somehow nearly every line manages to strike a chord and tug at something deep down within. Partly due to the heart and emotion that Jonas imbues his performance with, but also thanks to how his words are so open for you to attach your own meaning. As well as offering catharsis for a sense of loss, there’s also comfort to be found here for any lost souls. Anyone, however lost or hurting or alone, can find their struggles reflected within.
Foo Fighters – Medicine At Midnight