Photo by Pixabay on Pexels.com
The music world is always abuzz with talk surrounding one topic or another. The latest talking point just recently revolves around bands and venues sharing set times for gigs. It seems such an innocuous thing to end up becoming a divisive topic and prompting arguments, but even so that seems to have become the case. While I can understand the reasoning from both sides, I’m of the mind that sharing set times does far more help than it does harm. Continue reading
Photo by Negative Space on Pexels.com
A month ago I found myself meeting the artists behind some of my favourite music that I’ve written about over the past couple of years. When I was writing about their music it never really registered that my words might actually make a difference. Even when writing about music that you love and feel a deep connection to there’s still a real disconnect at work. So to have artists tell you in person how much your comments mean to them, and even quote them back to you word for word, was such a moving and gratifying encounter. It’s one of the many reasons that night was the highlight of my year. However, to then sink back into the daily grind, I found myself dwelling on the ordinary, everyday struggles. Continue reading
Photo by Snapwire on Pexels.com
It’s easy to think of terms like “the music industry” and “record labels” in the same vein as some evil faceless corporation that plays the role of the villain in a spy thriller. In fact, there are probably plenty of big labels that are thoroughly deserving of such infamy. But it’s not all just businessmen in suits looking to make money, there are plenty of smaller labels out there that are dedicated to helping artists grow and sharing great music with the world. Normally I don’t pay too much mind to labels, but when you see the same name pop up time and time again besides artists you love you suddenly start to sit up and take notice. I spend plenty of time writing about the music I love and the artists I admire, so I thought it was high-time I gave a shout out to the labels that keep the wheels turning and make sure all that great art reaches our ears. Continue reading
Photo by Jessica Lewis on Pexels.com
While not every song that graces the charts is worthy of derision, it’s no secret that the charts do very little to properly represent both music and the music industry as a whole. Songs that are just products of lazy corporate entities designed to make profits, that constantly clog up the single charts, do nothing to alleviate the age-old mentality of “modern music is rubbish, music was better back in my day!“. But why are the charts so broken and can they be fixed? Continue reading
We’ve lost more than a few music icons in recent years, and far too many of those deaths have either been self-inflicted or the result of people battling addictions as some form of coping mechanism. These tragedies have far reaching effects, and shed a light on how even those that seem to have everything can be suffering in ways we can’t imagine. What often isn’t brought to people’s attention however is how the music industry as a whole is such a vulnerable target for mental health issues, particularly those individuals at the bottom of the ladder who are trying to make ends meet. But what makes musicians so susceptible, and what can artists, and us as music consumers, do to improve the situation? I’ve narrowed it down to three key issues. Continue reading
It’s a peculiar time for the music industry. Streaming services are showing record figures, but there are still struggling up-and-coming artists being paid mere pennies. A recent report showed that live music attendance in the UK is at an all time high, yet grassroots venues up and down the country continue to close. Our music industry has experienced a massive boon in recent years, but it seems that only those at the top are reaping the rewards. Continue reading
“What came first, the music or the misery? People worry about kids playing
with guns, or watching violent videos, that some sort of culture of violence will
take them over. Nobody worries about kids listening to thousands, literally
thousands of songs about heartbreak, rejection, pain, misery and loss. Did I
listen to pop music because I was miserable? Or was I miserable because I
listened to pop music?”
For years I had the same routine every Saturday. I would head into town for a spot of lunch, look around HMV and the record stalls in the market, buy the latest copy of NME and chill for an hour or so in my favourite cafe. Over the course of a very large pot of loose leaf tea I would read every last article and feature. That seems like an age ago now. Pardon the nostalgia, but with the announcement that Britain’s most iconic music publication will cease printing by the end of the week after 66 years in circulation, I’d rather remember it as it used to be rather than what it became. Continue reading
Jack White’s latest tour has been making headlines with it’s no phone policy in order to promote a more “human” experience. This is nothing new, as his previous tours included a message asking fans to put their phones away and rely on the professional pics from the tour photographer to satisfy their social media needs. The difference this time around is the fact that a humble request has escalated to actually enforcing a venue-wide ban, which has been seen as a very heavy-handed move and prompted others to question the problem surrounding the use of mobile phones at gigs. Continue reading
So here we are, another year over and a chance to look back on all that 2017 has brought us. Thank you to all of you that have supported Belwood this past year; our readers, industry colleagues and all the wonderfully talented bands and artists that have shared their music. Before we look forward to all that 2018 has to offer, lets take a moment to cherish some of the most memorable music from the past twelve months: Continue reading
Belwood Music 