Childish Gambino – “Awaken, My Love!”
Psychedelic Soul | Funk | R&B
86%

There’s a lot to be said in music for charisma and character, something that Hayley and the Crushers clearly have in abundance. With their quirky debut album Jewel Case this Californian trio have created their own unique grit and glitter blend of 50s rock’n’roll with a punk attitude, like an alternate universe inspired by Marty McFly’s wild performance from Back to the Future. Belwood Music is proud to premiere the music video for the band’s latest single ‘Jaywalking’. Equal parts endearing and empowering; the charming tale of frontwoman Hayley Cain’s rush to rehearsals is an unlikely yet perfect match for the frantic drum fills and fierce, full-blooded bass line. Striking the perfect balance between style and substance, and with hints of classic Joan Jett, this slice of garage rock goodness is a sure-fire way to make your day. Get on board and embrace the crusherverse.
After their much acclaimed (if more than a little quirky) 2014 debut Weird Little Birthday, Happyness are back with the brand new single off their as yet untitled forthcoming album. The slow burning ‘Falling Down’ features some gorgeous dream pop guitar melodies, with subtle hints to the softer side of alternative rock icons such as the Pixies and Sonic Youth. Having also announced their biggest London headline show to date at The Dome, Tufnell Park on the 28th April, it seems the future is bright for these curious college rockers. After this sublime taste of what’s to come I’d advise you to keep your eyes peeled for more details about their new album.
After collaborating with Manic Street Preachers on ‘Divine Youth’ from their Futurology album, Welsh multi-instrumental singer/songwriter Georgia Ruth is back with her brand new single. ‘Cloudbroke’ is taken from her new album Fossil Scale, the follow-up to her 2013 Welsh Music Prize winning debut Week Of Pines. Featuring a sparse and echoing electronic ambience and interesting Eastern influences, it creates the perfect backdrop for Georgia’s unique vocals. The track’s curious video features three dancers emerging from their blanket cocoons and writhing on a lonesome windswept beach. The song and its accompanying visuals are full of character and sit worlds apart from anything else released this year. Georgia Ruth has confirmed with ‘Cloudbroke’ that she is one of the most distinctive and important rising stars in the Welsh music scene.
There’s something incredibly moving and dramatic about the debut single from Oparu. This new musical project from LA based singer/songwriter Dianna St. Hilaire, a tireless and dedicated self-taught musician, is steeped in broody atmospheric tones pierced by her chilling operatic vocals. ‘Remember Me’ blends together electronica, dark 80s synth pop and classical styles to create a track that sounds like it should be echoing across some vast expanse of a breathtaking nordic landscape. The haunting and evocative track is brimming with pent-up emotion and gives an intriguing glimpse into the character of the artist behind it. If you’re looking for a stirring song that is simply bristling with passion, and with a tangible sense of catharsis, then look no further. There is an untapped well of beauty here just waiting to be discovered.
One of my biggest pet peeves with modern pop is with a lack of ambition and with artists not living up to their full potential. However I have no quarrels whatsoever with the immensely talented pop singer/songwriter Taylor Noelle. Born and raised in Los Angeles before bringing her skills to Nashville, her debut EP is everything that pop acts should aspire to be. Each and every track quite easily deserves a place in the list of top songs of the year, and each for its own unique reasons. The slick and soulful ‘Too Good’ is full of attitude as Taylor slowly wraps you around her finger, whilst on the opposite end of the spectrum the fragile folk of ‘I Fall’ is the kind of beautiful balladry you’d expect from a bona fide Disney princess. ‘Won’t Waste My Time’ features some subtle latin hints and a smooth bluesy breakdown, and the dream pop soundscapes, cascading piano and infectious bass lines of ‘Covers Me’ makes the perfect backdrop for Taylor’s gorgeous vocals. This captivating young artist displays the kind of effortless range and diversity that modern pop is so desperately missing, which makes her music all the more special.
Fans of Hannah Grace, Emeli Sande, Gabrielle Aplin and Adele should check out her debut EP Out of My System.
Rising to prominence as Bob Dylan’s backing band and key collaborators, The Band soon became a hugely influential act in their own right. With their string of hugely acclaimed albums in the late 60s and early 70s, as well a performance at the legendary Woodstock festival, they inspired such contemporary acts as Eric Clapton, The Beatles, Led Zeppelin and Elton John. On November 25th 1976 The Band performed their farewell concert at Winterland Ballroom in San Francisco which featured such special guests as Bob Dylan, Eric Clapton, Neil Young, Joni Mitchell, Emmylou Harris and Van Morrison. The concert was immortalised as ‘The Last Waltz’ by famed director Martin Scorsese and is often hailed as one of the greatest concert films ever made.
The latest song from San Francisco band Magic Magic Roses surrounds itself with a kind of mystical air of beauty, like a fine veil of mist clinging on in the early morning haze. ‘Dusk’, the title (and closing) track from their upcoming third album out 2nd December, will be sure to appeal to fans of such equally gorgeous and ethereal folk acts as The Staves and First Aid Kit. The sparse and wistful arrangement and the warm layered harmonies create a soothing lullaby to lure you away into a peaceful, dreamlike trance. The song’s aesthetic whispers to you pastoral tales of strolling through golden fields under amber sunsets, and of crackling fires on cold autumn nights. It’s the kind of music that you can get lost in and simply disappear for a while in some better place.
Scottish festival T in the Park has announced that it will be taking a fallow year in 2017, marking the first year that the event has failed to take place since it’s inception in 1994. A statement from the festival organisers cited problems “logistically and financially” with moving sites and with the new site affecting a nesting pair of rare Ospreys. This seems the latest installment of bad publicity for the event, as recent years have included high crime rates and antisocial behaviour, several deaths, major traffic delays and poor organisation. Hopefully with an extra year with which to plan, some of these issues will be resolved before the 2018 festival.