Caligula’s Horse – Charcoal Grace
Progressive Metal | Progressive Rock
75%
The English language is a marvellous mish-mash of countless tongues and traditions. We’ve inherited words from Romans, Normans, Celts, Saxons, Danes etc., and invented plenty of our own along the way. Kingdoms and empires rise and fall, and yet some part of them still lives in everyday conversation. It’s often said music is a universal language, but there’s a charm to those tracks able to show it as the same kind of diverse and storied mosaic as our mother tongue. ‘When The Tide Rolls In’ is a rich tapestry all its own. There’s a bright airy indie folk vein that weaves its way throughout, soft swells of strings that offer a sweeping cinematic feel, an undercurrent of Celtic romanticism, hypnotic Eastern flourishes bringing a mystical and exotic air, and a heartbeat percussion that echoes something ancient and primal. All that woven together provides a backdrop for Amelia Coburn’s voice, wearing her broad accent proudly and conjuring a wealth of vivid imagery, to stamp her own unique perspective and identity. This first single from her forthcoming debut album Between The Moon and The Milkman, out 8th March, see Amelia speak in a folk music dialect all her own, and I’m left intrigued to hear more.

We’re mere hours away now from 2024 – which, as it happens, is the year that Belwood will be celebrating its 10th anniversary! But before we set our sights on celebrations to come, it’s time to bid one last fond farewell to 2023. It has been a truly outstanding twelve months for new music, and it’s been a joy and a privilege to share it with you. Here’s one last look back at some of our highlights of 2023! Continue reading

It’s almost time for our Listmas season, and indeed the year as a whole, to draw to a close. While the past twelve months have had their share of ups and downs, as all years are wont to do, I think in all seriousness 2023 has been the strongest year as a whole for new releases since the blog was founded. Reflecting and reminiscing on all the fabulous music we’ve enjoyed, it feels a little baffling that it was all crammed into such a short span of time. Narrowing down our favourite albums from such a bumper offering has been no mean feat, but getting an excuse to revisit them all again has been an absolute dream. So, without further ado, here’s our top ten albums of the past year. Continue reading

As fun as it is looking back on the past twelve months, reminiscing about all the music that captivated us, our EP list only has one foot in the past, while the other is firmly pointed towards the future. For while this part of out Listmas festivities always finds room to celebrate work from old favourites, EPs are the vehicle through which so much up and coming talent makes its presence known, and so this list is one of our favourite ways of shining a light on promising new acts poised to make waves in the year ahead. Join us then as we delve into the EPs that left the biggest impression on us in 2023. Continue reading

We’re halfway through this year’s Listmas, which means it’s time to give our eyes a rest from all the visual splendour and instead provide a feast for the ears as we finally dive into the best music of the past twelve months. The melodies that played on repeat in our heads, the words we kept absentmindedly singing along to each day, the tracks that most engaged, excited and enraptured us. From old favourites to sensational new discoveries, here our our favourite songs of 2023. Continue reading

From detailed and imaginative works of genius, to simple yet spirited vignettes, to memorable viral hits that transcend far beyond the songs they are attached to. It has been a strong year for music videos all across the spectrum. So before we dive into the music proper, join us first for one last visual extravaganza as we shine a light on some of our favourite videos of the past twelve months. Continue reading

Another year draws to a close, and what a jam-packed twelve months it’s been. 2023 may well be the most exciting year of new releases since Belwood began. Delights, surprises and new discoveries at every turn. I’ve never been more thrilled to celebrate and share some of the best new music around with you all. This year’s edition of Listmas has been a delight to assemble, and as tradition dictates we begin as ever with my favourite end of year collection; a deep delve into the year’s most memorable and arresting artwork. Continue reading
There’s more music in the world than ever before; more than we could ever hope to listen to in one lifetime. Most of it will inevitably pass us by. Part of the trade off in always chasing new releases for the blog is that I have less opportunity to look back at everything I missed. For this reason I tend to avoid covering established acts that I’m unfamiliar with as I feel unable to do them justice. Knowing the path a band has taken often feels like necessary context for where they are now. But rules are meant to be broken. I’m a music writer second and a music enjoyer first. There’s no final call for boarding a band’s hype train, you can join the ride at any time. For established fans of indie folk outfit The Crane Wives, I’m sure ‘The Well’ represents a triumphant return as their first new music in 7 years. For me, it’s a peek through the keyhole at a whole new world just waiting to be explored. From its arresting opening lines (“All the words I couldn’t say to you, Fill up the spaces in my chest, Like spare coins poised on the tip of my tongue, I make a wish and hold my breath“) and distinctive harmonies, to the way that its closing guitar solo unwinds, ‘The Well’ has been a stunning discovery to end the year on – don’t let it pass you by.