Belwood Music Awards 2023

We’re mere hours away now from 2024 – which, as it happens, is the year that Belwood will be celebrating its 10th anniversary! But before we set our sights on celebrations to come, it’s time to bid one last fond farewell to 2023. It has been a truly outstanding twelve months for new music, and it’s been a joy and a privilege to share it with you. Here’s one last look back at some of our highlights of 2023! Continue reading

Top Ten Albums of 2023

It’s almost time for our Listmas season, and indeed the year as a whole, to draw to a close. While the past twelve months have had their share of ups and downs, as all years are wont to do, I think in all seriousness 2023 has been the strongest year as a whole for new releases since the blog was founded. Reflecting and reminiscing on all the fabulous music we’ve enjoyed, it feels a little baffling that it was all crammed into such a short span of time. Narrowing down our favourite albums from such a bumper offering has been no mean feat, but getting an excuse to revisit them all again has been an absolute dream. So, without further ado, here’s our top ten albums of the past year. Continue reading

Top Ten EPs of 2023

As fun as it is looking back on the past twelve months, reminiscing about all the music that captivated us, our EP list only has one foot in the past, while the other is firmly pointed towards the future. For while this part of out Listmas festivities always finds room to celebrate work from old favourites, EPs are the vehicle through which so much up and coming talent makes its presence known, and so this list is one of our favourite ways of shining a light on promising new acts poised to make waves in the year ahead. Join us then as we delve into the EPs that left the biggest impression on us in 2023. Continue reading

Top Ten Songs of 2023

We’re halfway through this year’s Listmas, which means it’s time to give our eyes a rest from all the visual splendour and instead provide a feast for the ears as we finally dive into the best music of the past twelve months. The melodies that played on repeat in our heads, the words we kept absentmindedly singing along to each day, the tracks that most engaged, excited and enraptured us. From old favourites to sensational new discoveries, here our our favourite songs of 2023. Continue reading

Top Ten Videos of 2023

From detailed and imaginative works of genius, to simple yet spirited vignettes, to memorable viral hits that transcend far beyond the songs they are attached to. It has been a strong year for music videos all across the spectrum. So before we dive into the music proper, join us first for one last visual extravaganza as we shine a light on some of our favourite videos of the past twelve months. Continue reading

Top Ten Album Covers of 2023

Another year draws to a close, and what a jam-packed twelve months it’s been. 2023 may well be the most exciting year of new releases since Belwood began. Delights, surprises and new discoveries at every turn. I’ve never been more thrilled to celebrate and share some of the best new music around with you all. This year’s edition of Listmas has been a delight to assemble, and as tradition dictates we begin as ever with my favourite end of year collection; a deep delve into the year’s most memorable and arresting artwork. Continue reading

Top Tracks: The Crane Wives – The Well

There’s more music in the world than ever before; more than we could ever hope to listen to in one lifetime. Most of it will inevitably pass us by. Part of the trade off in always chasing new releases for the blog is that I have less opportunity to look back at everything I missed. For this reason I tend to avoid covering established acts that I’m unfamiliar with as I feel unable to do them justice. Knowing the path a band has taken often feels like necessary context for where they are now. But rules are meant to be broken. I’m a music writer second and a music enjoyer first. There’s no final call for boarding a band’s hype train, you can join the ride at any time. For established fans of indie folk outfit The Crane Wives, I’m sure ‘The Well’ represents a triumphant return as their first new music in 7 years. For me, it’s a peek through the keyhole at a whole new world just waiting to be explored. From its arresting opening lines (“All the words I couldn’t say to you, Fill up the spaces in my chest, Like spare coins poised on the tip of my tongue, I make a wish and hold my breath“) and distinctive harmonies, to the way that its closing guitar solo unwinds, ‘The Well’ has been a stunning discovery to end the year on – don’t let it pass you by.

Top Tracks: Kitty Perrin – Death Metal

We’re all guilty of trying to hide from our own thoughts sometimes. It’s often our first instinct when times are hard. When thoughts we’d rather not deal with keep echoing in our heads, we resort to drowning them out; headphones on, music loud, blocking out the whole world, our own thoughts included. Yet in doing so we risk drowning out the good as well as the bad. The reassuring words of those that love and care for us can be blocked out just as easily. As hard as it is for someone’s kind words to resonate louder than your own dark thoughts, it’s even harder for them to register when they’re having to compete with the metal blaring out your headphones too. The new single from Norwich based singer/songwriter Kitty Perrin captures the frustrating feeling of trying to love someone through the walls they’ve built. What starts as a tender plaintive folk ballad soon builds in scope and intensity, with the overdriven guitar and emphatic percussion of its closing moments feeling like a last ditch attempt to be heard through the noise.

Top Tracks: Dune Moss – Lullaby Please Don’t Lie

Whenever someone says “I don’t believe in fairies” there’s a fairy somewhere that dies; so the story goes. I like to think we’re all born with a bit of the fae inside of us. Adventurous, mischievous, able to see the beauty and wonder in all things, possessing a boundless imagination. Yet as we grow older, the rude awakening of adulthood delights in telling us that there’s no such thing as fairies, and extinguishing every spark of magic that remains. Piece by piece the world is made to feel like a far harsher, smaller place. ‘Lullaby Please Don’t Lie’ plays like the last desperate plea of your inner child, urging you to look beyond your mundane surroundings and see the world as the magical place that some part of your heart still holds it to be. Dune Moss’ haunting and ethereal vocals hold a childlike vulnerability to them, so delicate you hold your breath as to not disturb the moment. But fae are known for their deceptive nature, and by the time the songs builds to a colossal roaring climax, it is already too late, you have already fallen under Dune’s spell.