music

Live Review: The Paper Kites, Manchester Academy 2, 17th Feb 2023

/ James Fenney

I like to think we all have bands we listen to that are inexplicably hit and miss. They’ll have some songs that you adore with all your heart, as well as songs that you’re honestly pretty indifferent to… but on paper, somehow there’s very little that separates the two. Try as you might, you can never quite put your finger on whatever magical secret ingredient it is that makes certain tracks shine brighter than those around them. They just do; it’s some law of the universe. Australian indie outfit The Paper Kites are a prime example of such a band for me. Some songs barely making a ripple, while others have such a hold over me that they appear in nearly every playlist I make. Their studio albums a little inconsistent, but if you brought the right tracks together as a ‘greatest hits’ I would struggle to ever pull myself away. Keeping my fingers crossed that their live setlist would bring all my favourites together in just such a way, I made my way to catch them in Manchester hoping that elusive magic would be in the air. Continue reading →

Top Tracks: Megan Dixon Hood – The Garden

/ James Fenney

We all find comfort and escapism in other worlds. In the books we read, the films we watch, we cherish stories of such fantastical lands that leave us daydreaming of being whisked away there. I’d like to think however, that the people of those other worlds find themselves dreaming in turn of the Earth we know, of a world so majestic and full of beauty, clinging to tales of lush rainforests and kaleidoscopic coral reefs. Imagine how they’d feel if they knew how we treated the world they dreamt of; how we take its splendour for granted. On ‘The Garden’ Megan Dixon Hood delivers another environmentally conscious anthem in the spirit of past tracks like ‘The Wishing Tree‘. Taken from her forthcoming debut album East of the Sun, Megan’s otherworldly vocals, equal parts earth-shaking and ethereal, make her sound like a wanderer from a fairytale land trying to show us the error of our ways, before we’re left with a wasteland where no birds sing and no rivers run. From its shuddering primal drums to its vibrant and ever-shifting synth melodies, there’s a world to discover here that’s just as diverse and full of fleeting moments of beauty as the one that surrounds us now.

Top Tracks: Cristina Hart – Crash

/ James Fenney

Things often have to get worse before they get better. Sometimes it takes that final drop to rock bottom for you to finally admit to yourself how bad things have gotten. Being at your lowest brings those unhealthy coping mechanisms into full view, and can be just the push you needed in order to ask for help and stop suffering in silence. ‘Crash’ is about life at its darkest, but it’s also a song about climbing your way back towards the light. In her most raw and vulnerable offering to date, Cristina Hart reflects on treading water against numbing waves of grief and anxiety. That forlorn feeling of having no one to lean on, fearing you’ll disappoint them or become a burden if you let the mask slip. Building upon the darker, edgier pop sound we heard on ‘Never Be Her‘, this latest single is a reminder that admitting there’s a problem is the first step to fixing it. Cristina delivers intimate and visceral lyrics, wrapped up in fiery alt-pop instrumentation and heady infectious hooks, in a cathartic anthem that breaks you down only to lift you up again. A stunning track to start the year with, and one that sets the benchmark for new pop in 2023.

Top Tracks: Beth Crowley – The Ghost Who Is Still Alive

/ James Fenney

They say that everyone dies twice; first when they shuffle off this mortal coil, and again when their name is spoken aloud for the last time. But imagine the tragic fate that would occur if the order of those endings was reversed. We are social creatures, and so much of who we are lies in the marks left on us by those we interact with, and the marks we leave on them in turn. “Does a life have any meaning, If no one knows your name?”. Nashville based singer/songwriter Beth Crowley tackles this very question with her latest single. ‘The Ghost Who Is Still Alive’ is another shining example of her singular style of literary lyricism. Inspired by the novel The Invisible Life of Addie LaRue by V.E. Schwab, detailing the life of a woman cursed to live forever and be forgotten by everyone she meets, this slice of cinematic pop finds the perfect balance between haunting melancholy and impactful gravitas that such a tragic tale deserves. To never know love or friendship, to endure every hardship with no shoulder to cry on, to walk the sands for all time and leave no footprints in your wake. Such a unique and compelling spark of inspiration for a song, and one that we get to hear so beautifully realised.

Top Tracks: Hannah Grace – Silver Lining

/ James Fenney

They say that every cloud has a silver lining. But when times are tough, when the sky is just a swirling tempest of grey stretching from horizon to horizon, that hopeful spark we so desperately long for can be hard to find. Though we’re often more resilient than we give ourselves credit for, trying to weather the storm and wait patiently for that bright sliver to show isn’t always the best option. This uplifting new song from Belwood favourite Hannah Grace presents a different approach; being the change you want to see in the world, by painting your own silver lining across the sky when there’s none to be found. With a beautifully understated arrangement that gives her golden vocals room to glow, it offers all the comfort and respite found in that moment of calm once the storm has passed. Taken from her forthcoming EP Devoted, out this July, it’s a gorgeous first peek at what this promising new chapter has in store.

Top Ten Albums of 2022

/ James Fenney

Time for the big one; the best albums of the year. Reflecting honestly on the biggest releases of the past twelve months, I can’t help but feel that 2022 was an off year for albums. More so than any year in the blog’s history, it felt like there was an abundance of albums that either missed the mark or just flat out failed to spark excitement. They’re not what we’re for however, and if anything they merely helped make the most brilliant records of the year seem to shine all the brighter. Here are the albums that broke the mould, that met and exceeded expectations, and provided the standout musical delights of the past year. Continue reading →

Top Ten EPs of 2022

/ James Fenney

Time now for what always proves to be our most hotly contested list each year. EPs are such an important creative tool for new artists especially, and there’s such a wealth of them out there that we barely scratch the surface of them with the few that fit in our Spotlight! series. In a way this feels like the most important list of the season as it gives us chance to shine a light on releases that we don’t otherwise get the opportunity to talk about. Great things often come in small packages, and here are our picks for the EPs that left the biggest impressions in 2022. Continue reading →

Top Ten Songs of 2022

/ James Fenney

As we leave the most vibrant visuals of 2022 behind us, it’s now time to dive right in to the best music to grace our ears this past year. The songs that soundtracked our ups and downs; that we belted out at the top of our lungs, that we took comfort and refuge in while they played on repeat, that took pride of place in our playlists and became an almost constant companion. Here are the songs that best capture this past year for us: Continue reading →