As a child, autumn was my favourite time of year. The horizon awash with amber hues, the streets paved with the gold of fallen leaves. Watching those leaves swept up in the swirling wind and imagining them dancing to my own whims and designs. When I grew older, discovering music as I went, the sound I began to most associate with autumn was that of Nick Drake. The intricate meanderings of his acoustic guitar and the bright tenderness of the piano evoking the swirl of leaves, yet with an undercurrent of melancholy that hits harder as you grow older and reckon with autumn being a time of unrelenting change and encroaching endings. I see that same melancholic fall vista conjured in Julia Logan’s ‘Moodswings’; in piano notes as cool as October rain, and folk guitar that weaves like the breeze through increasingly barren branches. Yet true to its name the song shifts in tone, rather than linger in wistfulness. In the sweetness of Julia’s vocals on the endearing chorus, and in the whimsical lilt of synths in the song’s latter half, I hear hints of the playful autumnal magic of my childhood, once forgotten, begin to peek through the cracks.
julia logan
Top Tracks: Julia Logan – Top of the World
One of the surest signs of great songwriting is when a track works on any level. You can strip it back to its barest essentials, down to its most sparse and intimate incarnation, and it is still every bit as compelling. Likewise a talented songwriter is able to build upon a strong foundation, expanding the scope and ambition of the arrangement, without reaching too far and losing sight of the great idea that started it all. Within the dreamy folk pop of ‘Top of the World’, Swedish artist Julia Logan is able to exemplify both ends of the spectrum. Adding and removing layers on a whim from a gorgeous central framework, creating a captivating rise and fall in the process. At its most intimate it’s just the rich piano tone, the sweetness of Julia’s Carole King-esque vocals, and a melody that recalls ‘Crosses’ by José González. Yet at its highest peaks it rises with the kind of lush groovy warmth of Fleetwood Mac. The stunningly expressive rhythm section managing to somehow feel intricate and understated in equal measure.