A lot can happen in ten years. People change, trends come and go, and a small gathering of music fans in a wooden barn in Gloucester can become the best festival in the world. After building up a reputation over the past decade for championing new music, breaking down barriers, and being the most warm and welcoming festival family around, Over Farm found itself at the centre of a very special birthday. With Barn on the Farm celebrating it’s tenth anniversary (and Belwood returning for a fifth year), expectations were high that they would pull something special out of the bag. And, in spite of a few big names pulling out last minute, they did all that and more. Continue reading
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They say you should never meet your heroes as they never live up to expectations. Leading up to this gig I was worried that the same principle applied to seeing one of your favourite artists live. After discovering Glen though the usual method, falling deeply in love with the movie Once, I’ve become a deep admirer of his artistry. Although not always captured by the studio versions, the energy of his live performances that I’ve seen online are just in a whole other league. He sings with such passion, as though music were his sole purpose and he is giving away his very life-force to his songs. Some of these have proven to be some of my favourite live performances of all time, videos that I watch almost religiously. That is an awful lot of expectation to live up to, but when Glen announced a new tour I decided it was a risk I had to take. 
Generally the start of a new year is a time for looking forward, but I thought it would be an equally good time to momentarily look back. Surely there’s no better way to spend my first gig of 2019 than checking out the band behind one of the best releases of 2018. We stumbled across Icelandic indie folk outfit Árstíðir shortly after they released their latest record 
Though Bonfire Night is traditionally celebrated with fireworks, I spent mine with something just as exciting and vibrant, albeit even louder; the brilliant Caligula’s Horse on their first headline European tour. Though I was a bit late to the game regarding their latest record, 2017’s In Contact, it has quickly become one of my favourite releases of recent years and has been one of my main go-to albums. So naturally I wasn’t going to miss out on seeing them, along with a few of their friends from back home, for an all out Australian invasion on the penultimate stop of their tour. After all, if anyone knows how to have a good time it’s the Aussies. 
This site is all about supporting new music, but contrary to what my inbox tells me, great music doesn’t just come from London and LA. Wherever there are creatively minded people with a message to share there is great music to be found, and if we all did more to support our local scenes maybe so many of them wouldn’t need to move to those big cities to stand a chance of following their passion. Breakthrough is a scheme that understands that all great bands and artists have to start somewhere. This new artist development program, working with Yorkshire and the Humber’s finest up-and-coming talents, decided to put on a series of three showcase gigs, in the hopes of sharing that message and getting people involved with their local scene. I dropped by Cafe Indie to bask in what this first batch of the area’s best and brightest rising stars had to offer. 
All music fans have a “list”, a selection of bucket list bands that you have yet to see live. Though I’ve been through some wildly different music phases over the years, Iron Maiden have always been near the top of my list ever since first hearing ‘Fear of the Dark’ as a teenager. Few bands can match the scale and spectacle of the mighty Maiden in their live shows. Gutted to have missed out on their last tour, I eagerly snapped up tickets for their Legacy of the Beast world tour and made my way down to Genting Arena… on what turned out to be Bruce Dickinson’s 60th birthday of all days! 
When Hull was named the UK’s city of culture for 2017, I’m sure there were more than a few raised eyebrows, but even as someone on the outside looking in the city’s rejuvenation was staggering. Whether Hull pulled off a miraculous reinvention in the space of a year, or whether it was always a cultural hub somewhere beneath the surface and is just now sharing it with the world remains to be seen. I sadly missed last year’s Humber Street Sesh, which I’m told was one of the highlights of the summer, so I was interested to see how that passion for art and culture carried on into 2018… and of course see some great bands and artists too! 
Even in the midst of the most unbearable heatwave I’ve ever experienced, the best weekend of the year didn’t disappoint. While most festivals would have had people literally fighting over the rare patches of shade, or disappearing to watch the England match and causing havoc on their return, this is Barn on the Farm we’re talking about. Everyone that’s been to this little patch of paradise can attest to the indescribable sense of community, and for whatever reason that feeling was stronger than ever this year. On the year where the festival returns to its roots in breaking new artists, I was lucky enough to occupy Over Farm for the full four days and catch all the action. 
They say that lightning doesn’t strike twice, but that clearly isn’t the case for Scunthorpe’s Baths Hall. Just last year they played host to 
Having been a Porcupine Tree fan for many years, and with the band playing a key part in my musical development as it were, a trip to see the main man himself Steven Wilson was long overdue. With his new solo record To The Bone offering some of his most well constructed songs to date (and with the size of his back catalogue that’s saying something) now seemed like the perfect time. I had not been this excited about a gig in a long time, and knowing his reputation for his spectacular live performances over the years, I was eager to see one of my idols in action. 