Every ending has the chance to become a new beginning. Each mistake presents an opportunity to learn and grow and become a better you. Every void left behind by the things we lose in life can be filled with something new. They say the best revenge against the people who hurt us is a life well lived, and the same is true of every frustrating mishap, cruel twist of fate or inner demon intent on ruining your day. The only thing standing between you and a better tomorrow is finding the strength to let the past lie and keep pushing forward. Of course, that’s easier said than done, but with their latest single, Bristol band Ålesund show how one person’s resilience can be the inciting spark for those around them to find their own inner strength. Building from its humble opening toward a climax of emphatic drums and triumphant brass, ‘Rode Off Into The Sun’ reflects admiringly on a friend’s ability to leave their burdens behind in troubled times and resolve to start a new chapter full of better things. It’s a song which takes that infectious and inspiring positivity and pays it forward, providing an uplifting spark to help overcome adversity and seek a brighter tomorrow.
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Spotlight!: Lily Agnes
How do you make a great album? Perhaps it involves songs coming together to tell a story, perfectly capturing a mood or theme, maybe doing something fresh and experimental, or simply packing it start to finish with big accessible hits. People have found and forged many alternate paths to make great albums over the years. But EPs are a different story. They are a relatively newer format, often lacking the same attention and prestige, and one which has primarily been used by up-and-coming artists. As such we’re presented with a far narrower path to take towards what makes a great EP. It needs to tell you all you need to know about an artist, and leave you wanting to hear more. A mission statement of their creative ambitions; well-rounded enough to showcase the broadest possible range of their talents, yet restrained enough to leave listeners longing for whatever may come next. Continue reading
Album Review: Morganway – Back To Zero
Album Review: The National – First Two Pages of Frankenstein
Tickets Please!: Why we need a return to physical gig tickets
There are, admittedly, a lot of things wrong with the state of the modern music industry. The closure of grassroots venues, criminally low pay-outs for streams, the way the charts are bought and sold by big labels, and ticket company monopolies charging fans extortionate fees to name just a few! But I like to think we’re all entitled from time to time to some petty little hill that we’re adamant to die upon, no matter how inconsequential it may be in the grand scheme of things. Some molehill that we’re determined to make into a mountain. That cause for me as of late has been the disheartening decline of proper physical concert tickets. Continue reading
Top Tracks: The Last Dinner Party – Nothing Matters
There is plenty of music out there that could be called “style over substance”, but ‘Nothing Matters’ defies this idea by being so stylish that it takes on substance. The Last Dinner Party’s debut single shows the band’s confidence overflowing yet fully earned and justified, their aesthetic so finely curated and yet worn with such casual and naturalistic charisma, a preposterous conflux of different stylistic elements whose perfect fusion still somehow comes across as effortless. Abigail Morris’ velveteen vocals lending an air of elegance worthy of a Jane Austen adaptation, a command of melody in the verses with the infectious theatricality of an Alan Menken soundtrack. The quirkiness of Kate Bush and the vulgar playfulness of Wet Leg dressed up in an aloof and beguiling gothic exterior, with a grand and soaring guitar solo acting as the perfect capstone for this debut single’s magnetic appeal. With ‘Nothing Matters’ The Last Dinner Party have crafted a track so charming that it collapses in on itself like a black hole to create a point of infinite stylishness whose pull is impossible to resist.
Album Review: Megan Dixon Hood – East Of The Sun
Top Tracks: Ålesund – Never Enough
Sometimes you can have too much of a good thing. You’ll start dedicating so much of your time and energy to chasing some high, only to find that you end up losing yourself in the process. Whether a physical addiction to something tangible, or the pursuit of something more abstract, like the fame and attention of your peers or the love and affection of someone you’ve put on a pedestal – trying to replicate that rush can often blur the line between pleasure and pain. With ‘Never Enough’, Bristol’s Ålesund deliver this cautionary tale in an ironically addictive fashion. There’s a dazzling interplay of light and dark at work, juxtaposing dramatic brooding instrumentation with frontwoman Alba Torriset’s bright soaring vocals. Between the bold thunderous drum work, angelic layered vocals and the theatricality of the piano cutting through the expansive arrangement, there’s a sense of grandeur and etherealness here that will delight fans of Aurora and Florence + The Machine. Here’s a high that needs no chasing, it’s right there at the push of a button; and in this case. enough really is never enough.
Top Tracks: Simon Alexander – Freeloaders
As great as it is to hear more of what you love from an artist, it’s nothing compared to the thrill of hearing them try something new and absolutely nailing it. Just like that, a whole new world of possibilities has opened up, a fresh style or genre for an artist to explore and make their own. Regular Belwood readers may know Swedish singer/songwriter Simon Alexander for his fantastic folk balladry or bright and airy indie anthems, but with his latest single he dials the energy levels up a notch. This driving alt rocker maintains the same knack for crisp engaging melodies, but is propelled to new heights by its raw grunge arrangement. Taking inspiration from the 90s music of his youth, ‘Freeloaders’ wears its influences on its sleeve, while its lyrics ruminate on how those carefree days seem so far away and are only drifting further with each passing year. So full of fire and meaning, it’s such an enticing first taste of what’s to come from Simon Alexander and the wide new horizons ahead of him.
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