Interview: Tiny Castle

tiny castle 2It’s safe to say that 2020 doesn’t have a lot going for it. That does mean however that each little oasis of joy and beauty that we stumble upon in this monumental clusterfuck of a year feels all the sweeter. There’s plenty of great new music despite everything, and one of the finest escapes I’ve stumbled across in the past six months has been the brilliant debut EP from Australian indie quartet Tiny Castle. Blending post punk rhythms, retro synths and slick indie hooks, Perspectives is the kind of record that takes everything you know and love and serves it up on a silver platter. I fired a few quick questions over to Chris from Tiny Castle to find out how their stunning first EP came to life. Continue reading

Spotlight!: Tiny Castle

tiny castleA lot of time and energy in the music world is devoted to finding something fresh and new. While it can certainly be a thrill to find a band that breaks the mold, I believe there is an undervalued charm in familiarity. Encountering a new act is a first meeting of sorts after all, and there are few greater pleasures in life than meeting someone new and falling into a natural rhythm. That moment when you and a total stranger are so perfectly tuned in to the same wavelength that you suddenly feel like you’ve both known each other for years. The debut EP from Brisbane based indie quartet Tiny Castle evokes that same sensation. Perspectives doesn’t feel like a first meeting, instead it’s as warm and familiar as a record that you’ve grown up listening to. It leaves you feeling nostalgic for some alternate history where the EP was the soundtrack of your youth.

‘Black Dove’ ascribes to The Cure’s school of being equal parts sweetness and sadness, reflecting on past love and enveloping the listener in gorgeous melodies, while frenetic synth driven rocker ‘World’ is the perfect soundtrack for hurtling down an empty highway faster than your demons can follow. The bright balladry of ‘Composure’ and ‘Madeline’ make you want to slow-dance around the room, ‘I’m Like A River’ is reminiscent of The Killers as it blends the synths with a dash of Americana, while closing track ‘Sentimental Holiday’s robust bass line, emphatic drums and light snappy riffs reminds me of The National. Perspectives is a swirling melting pot of everything from 80s AOR and post punk to modern indie and alternative.  It never feels like a Frankenstein’s monster of styles however, rather a spectrum of colour combining into a brilliant white light as the band craft a sound all their own. Even on first listen it feels like they’ve already been one of your favourite bands for years and you just didn’t know it. This Tiny Castle just feels like home.

Fans of The National, The Cure, Holy Holy and The Paper Kites should check out Tiny Castle’s debut EP Perspectives