Top Ten EPs of 2024

While our Listmas celebrations as a whole aim to reflect on what the past year has given us, our annual EP list is often more about looking forward into the years ahead. It’s about the promise heard in these collections, and the excitement they instil in us for what the road ahead may have in store from the acts which crafted them. Listening to a great EP often feels like a fateful first meeting, hearing your next favourite artist before you even realise it. Perhaps your next fav is just waiting to be discovered in this very list, so let’s dive right in to the best EPs that 2024 had to offer. Continue reading

Top Tracks: Picture Parlour – Face in the Picture

At first I didn’t get the hype behind Picture Parlour, but all that changed upon seeing these rising stars live. Seeing their style, energy and stage presence in the flesh, it suddenly made all the sense in the world why they were generating such buzz on the live circuit. Somehow that intensity didn’t quite get captured on their first couple of singles. ‘Face in the Picture’ is the first time that a studio recording has been able to show the quartet at the height of their powers. This title track from their debut EP, out 14th June, effortlessly outdoes the Arctic Monkeys at their own game. Katherine Parlour’s unique croon is bursting with soul, Ella Risi’s earth shaking guitar dances around cinematic orchestration; the whole damn affair feels like an event. All about how the echoes of the past, and the wounds once thought healed, continue to haunt us, ‘Face in the Picture’ feels like a ready-made Bond theme. The ideal track for a suave secret agent struggling to outrun their past, or for making the rest of us feel like we can take on the whole world.

Live Review: The Last Dinner Party, The Welly Hull, 15th Oct 2023

In some ways I can understand why the term ‘Industry Plant‘ has been thrown around in conversations surrounding The Last Dinner Party. After all, it’s human nature to search for a plausible answer in the face of something that defies explanation. They just seem too good to be true. Releasing an instantly iconic debut single that oozes such effortless charisma, and then exploring new horizons with the tracks that followed while still maintaining that same astonishingly high standard. Their entrancing costume drama aesthetic, the theatricality of their music videos, the wild cathartic revelry of their live performances… hell, even the band’s logo is glorious! I get how someone may listen to their inner cynic before believing that the universe would gift us with a new band who are so assured, engaging and stylish this early into their career. They say seeing is believing, so I felt the need to catch The Last Dinner Party in Hull on their UK tour to see them for myself. Continue reading

Leave It Out!: In Defence of ‘Industry Plants’

The music industry is a bloody mess. From the absurdly broken state of modern charts, to artists’ obscenely miniscule rate of pay for Spotify streams, the modern music industry has a list of glaring issues as long as your arm. But, as human beings are want to do, we can’t help but keep adding new things to the list to complain about. The latest such talking point in music circles being buzzy up-and-coming bands such as Wet Leg and The Last Dinner Party being accused of being ‘industry plants’. Though the discourse I’ve seen online has raised some noteworthy points, I think the reductive label these bands have been assigned with ultimately fails to stand up to scrutiny. Continue reading