Top Tracks: Dog Door – Cover Up Contest

Photographers the world over have the ability to take crisp, clear digital photos, and yet many still gravitate to the look and feel of vintage film. It’s faded, grainy, full of the orange glare of light leak, far from the perfect way to capture a subject; but therein lies the charm. Something about those flaws, the dust, the scratches, that warm glow, just gives pictures an otherworldly shimmer. Photos like that feel like a window into a memory, as the nostalgia filter in our brain warps our recollection of the past in much the same way. The tender lo-fi arrangement of ‘Cover Up Contest’ is a prime example of that same principle in music. Dog Door, a collaboration between Jamie Cameron of Belwood favourites The Last Dinosaur and Oakland, California based creative Oliver Girdler, draw from the lighter side of bands like Sparklehorse and Talk Talk to imbue their debut single with that same wistful shimmer. ‘Cover Up Contest’ is a grainy vignette of a long forgotten summer, full of the same warm uncanny glow we afford all cherished memories.

Best Albums of the 2010s (#50-26)

albums1It’s the dawning of a new decade, and as such we have a chance to look back not just on the past year of music, but the past ten years! Compiling the 50 most defining, moving, engaging, singular, exhilarating, influential and inspirational albums of the 2010s has been Belwood’s most challenging endeavour ever, not least because we limited it to one album per act. At long last however, we have our list: Continue reading

Top Ten Albums of 2017

top ten albumsIt’s that time of year again where we look back on all the amazing music the past twelve months have given us and gather together the ten highest rated albums on the site in 2017. This has been the closest year yet for albums, and with some Belwood favourites like Algiers and Wolf Alice missing out on the top ten, it’s also been a year that has offered its fair share of surprises.  Continue reading

Interview: The Last Dinosaur

the last dinosaur

Photo by Alexandra Cameron

Regardless of what the rest of the year offers, to me The Nothing is the essential album of 2017. This cathartic creation composed about the loss of a childhood friend rivals Nick Cave’s Skeleton Tree as the most powerful and personal record of the decade. With its uplifting atmosphere, poignant lyrics and deftly moving instrumental passages, it’s the kind of record you simply want to fade away into and never leave. I spoke to gifted songwriter Jamie Cameron about his new masterpiece: Continue reading

Top Tracks: The Last Dinosaur – Grow

It’s sometimes easy to forget that while listening to music can provide great comfort and reassurance when times get tough, the same can also be said of creating it in the first place. Having lost his best friend in a tragic car crash in his youth, Jamie Cameron’s latest record is a powerful cathartic release after many years of pent-up pain and frustration. Taken from his upcoming album The Nothing out 7th July, the second record under his The Last Dinosaur moniker, ‘Grow’ is a bittersweet reflection on the fragile beauty of life. Combining gorgeous folk guitar melodies, an uplifting swell of strings, and a voice so breathy and delicate you fear it might get carried away on the breeze, it’s a song of unquestionable charm and beauty.