It’s the dawning of a new decade, and as such we have a chance to look back not just on the past year of music, but the past ten years! Compiling the 50 most defining, moving, engaging, singular, exhilarating, influential and inspirational albums of the 2010s has been Belwood’s most challenging endeavour ever, not least because we limited it to one album per act. At long last however, we have our list: Continue reading
This year’s list of songs didn’t turn out how I envisioned it even just a few short weeks ago. There were plenty of tracks off the top of my head that I thought would be certain to make an appearance, but when it came down to putting pen to paper and narrowing the list down they ended up not making the cut. Just goes to show how many amazing tracks we’ve been treated to in 2019. Continue reading
Vampire Weekend – Father of the Bride
The Strokes – Is This It
The debut from one of New York’s most famous musical exports is what kicked off the indie scene and started the biggest musical movement of the century thus far, one that we are still in the grip of. Though the album displayed a simple, bare-bones approach it provided a blank canvas for the vast multitude of bands which followed.
The Libertines – The Libertines
The most notorious British band of the 21st century. Though they received plenty of critical acclaim and commercial success during their brief heyday, they were more famous for the drug fuelled exploits of Pete Doherty. Despite the fact that Doherty was completely out of it, spent time in prison and avoided bandmate Carl Barat like the plague, the band produced a classic British album.
The Killers – Hot Fuss
Arguably the most commercially successful indie band around. Though they have produced their fair share of hits across their career, they could never match Hot Fuss as far as albums are concerned. Inspired by new wave and post punk it features the massive hits ‘Somebody Told Me’, ‘Smile Like You Mean It’, ‘All These Things That I’ve Done’ and of course their signature song ‘Mr Brightside’.
Vampire Weekend – Modern Vampires of the City
Having already established themselves as one of indie rock’s biggest success stories with their first two albums, Vampire Weekend then delivered a stone cold modern classic. All together more sophisticated, both musically and lyrically, it plays like a coming of age story of the band. Rather than focus on privileged youth the lyrics are more world weary with a more experimental musical backdrop.