Wet Leg – Wet Leg
Indie Rock | Post Punk
41%
If the loneliness of lockdown taught us anything, it’s that while absence may make the heart grow fonder, that does nothing to dull the pain of being apart from the ones we love. There’s a special kind of sanctuary that comes from just being present in the moment with someone you love, and knowing someone you care about is struggling and yet being unable to hold them close is an awful burden to carry. For most of us life is now returning to normal, but for those trying to keep love alive in a long distance relationship that is normal. ‘At Least One’, the debut single from Irish singer/songwriter Étáin, details the intense longing to be there for the other person when times get tough, in ways you know you can’t, as well as the determination to keep love burning in spite of it all. Étáin’s wistful folk arrangement and ethereal, bittersweet vocals host a haunting warmth that feels like the last vestiges of sunlight clinging on to the world as the inevitability of sunset looms. While so much of what we cherish feels fleeting, here is a dreamy moment of comfort to share and revisit time and again.
It’s never too late to turn your life around. To take an honest look at your past mistakes, destructive habits and obstructive mindset, and decide that it’s time to leave that version of yourself behind and start anew. That’s not to say it’s an easy task, it takes an immense amount of reflection, determination, patience and ultimately forgiveness, but no one is so far gone that they can’t become a better version of themselves, so long as the will to change is there. And it’s that push for a clean slate that we find so aptly captured in ‘Life Number Two’. This debut single from Deathcruiser, the new project from Grizfolk’s Adam Roth, is a gorgeous slice of Americana that celebrates the strength and goodwill inherent in the human spirit. Awash with warmth and romanticism, rather than erase the old self and reduce it to ashes, it is a song that offers encouragement and a helping hand to waltz your way into a better state of being. As both a soundtrack to the new you, and as a first taste of a forthcoming EP, it’s one deeply charming new beginning.
Everyone always seems to be pushing for something new, to make progress for progress’ sake, but I feel like folks are often too quick to overlook the tried and tested. In the world of fashion for instance, trends change and looks fall out of favour but eventually circle back around into fashion. And yet, no matter what the current buzz is about, certain styles (even those tied to a particular place and time) done well will always dazzle a crowd. If it ain’t broke don’t fix it; quality always shines through. The same is true of music, and with their latest single ‘Don’t Turn’ Philadelphia based band Electric Candlelight deliver a rollicking rock’n’roller from days gone by, exquisitely crafted to get your blood pumping and put a smile on your face. With gritty vocals reminiscent of Creedence Clearwater Revival, groovy feel-good riffs with a mountain of momentum, and brilliant character driven lyrics detailing a mobster trying and failing to make an honest living, Electric Candlelight dress to impress with a song that will never go out of style.

Have we mentioned how great it feels to have live music back? Because my god does it feel magnificent to be going to gigs again! However, I have to admit, it took a couple of them before I could ease back into familiarity. After nearly two years without live music, and lingering doubts and fears from the pandemic still hanging on, those first few gigs felt like tentative baby steps back into normality. This was the first gig back where I felt at home again, where I felt the spark that had been absent for so long. Like reconnecting with an old friend you haven’t seen in ages; you work through the awkward catch-ups until eventually it feels like no time has passed at all. It’s a gig that felt truly special and will stay with me for a long time to come. Continue reading
Losing someone close to you is never easy, but processing all that grief through a creative medium like music can be a very comforting and healing experience. However, the thought of then sharing that work with the world that special person left behind can be a deeply daunting proposition. It’s hard enough to capture all the ways they left their mark on you, and the void their absence has left in your own life, but the truth is you’re only seeing but one facet of who they are. How can you capture everything a person was, everything they meant to those that loved them most? As much as we may want to, the simple answer is you can’t. But we can preserve in a song simply that they were loved and will be dearly missed, and perhaps that is enough, as no one is ever truly gone so long as they are remembered. ‘For Michael’ is just such a track – simple, sincere, warm and loving – not trying to quantify all that was lost, just carrying his memory into a new day. A gorgeous offering recalling the golden age of singer/songwriters, it’s the most haunting, soulful and heartfelt release yet from the fabulous Francesca Louise, and is sure to resonate with anyone else who has kept a candle burning for the ones we’ve lost.

They say that insanity is doing the exact same thing over and over again and expecting different results. Having already seen The Lumineers live twice in the past few years, seeing them graduate from playing mid-sized venues to selling out major stadiums, I felt like I had a pretty clear idea of what to expect for the third time around. Even for a band with a track record for surprising me, there are only so many ways that a band to up their game in a live setting. After their most recent record fell a little flat, I wondered how well the new material would translate to a live setting, and how their latest tour would hold up compared to previous gigs. I’m pleased to report that the band are still at the top of their game when it comes to delighting a crowd, and they managed to pull a few more tricks from out their sleeves. Continue reading