Bent Knee – Frosting
Art Pop | Electronica | Art Rock
56%
There’s nothing quite like a truly great song. Just a few short minutes of musical brilliance can change your life. It can be the backdrop to falling in love and be the soundtrack to the first dance at your wedding, or it can be the voice you rely upon to talk you down from the edge when your world feels like it’s falling apart. Great songs can stay with you for a lifetime, and there was no shortage of songs like that over the course of the past ten years. We did our best to narrow it down to our top 50, and as with our albums list we limited it to one song per act. Let’s get to it! Continue reading
It’s the dawning of a new decade, and as such we have a chance to look back not just on the past year of music, but the past ten years! Compiling the 50 most defining, moving, engaging, singular, exhilarating, influential and inspirational albums of the 2010s has been Belwood’s most challenging endeavour ever, not least because we limited it to one album per act. At long last however, we have our list: Continue reading
I’m rather stretching the definition of Top Tracks here, as ‘Paper Earth’ is longer than most EPs, but a piece of music this extraordinary couldn’t just be passed by without mention. Performed with the Boston Conservatory Percussion Ensemble, this half hour, 6-part epic about how our memories affect the present is every bit as inventive and otherworldly as you’d expect from ambitious art rockers Bent Knee. These Belwood favourites have really outdone themselves with this new project, rivalling Tubular Bells in both scope and execution with this classical inspired progressive masterclass. Displaying the full range of their talents, and bolstered by the unique percussion at work, this magnum opus of theirs just serves to secure their place in my mind as one of the most innovative and exciting bands out there at the moment. ‘Paper Earth’ is a singular experience, one that I can’t recommend enough.
It’s that time of year again where we look back on all the amazing music the past twelve months have given us and gather together the ten highest rated albums on the site in 2017. This has been the closest year yet for albums, and with some Belwood favourites like Algiers and Wolf Alice missing out on the top ten, it’s also been a year that has offered its fair share of surprises. Continue reading
Hope you all had a lovely Christmas! It’s that time of year again; as 2017 draws to a close we’ll be talking about Belwood’s highlights of the year gone by, starting with our favourite songs. It’s been no easy task to whittle it down to just ten tracks, there’s been a lot of outstanding music released this past year. With a healthy mix of acts both old and new, large and small, it’s our strongest list yet. Hopefully you can find a few hidden gems here that you missed first time around, or just jam along all over again! Continue reading
You wouldn’t think much of the Bootleg Theater in Los Angeles if you were to merely walk past. Sitting in a neglected neighborhood of the city, the Bootleg barely boasts a front: just a building, with one door, with red marquee letters reading “Bootleg”. Congregating outside the venue before being let in provided me with an opportunity to speak with fans and, as a new fan myself, get to know the band from admirers, friends, and family alike. The overwhelming recurring response that was shared was that this band was electric; an absolute delight to see live, and like no other band to be seen (or heard). Continue reading
Boston’s Bent Knee have to be the most remarkable and unparalleled band to emerge this past decade. Their genre bending music defies all expectations and classifications like no other act I know, and their new record Land Animal takes their inventive art rock to new heights. Already set to be one of the finest albums of the year, I just had to talk to the band about their latest creation. I was lucky enough to chat to astonishing frontwoman Courtney Swain about the record: Continue reading