As we move into the second half of our deep dive into the finest records of the past ten years, things certainly haven’t gotten any easier. At many times this list became a real battle between head and heart; between the records with a profound personal connection and those that hold great influence and importance in the wider scheme of things. After much soul searching we’ve struck upon the right balance between the two for our final look at the best albums of the decade. (If you missed part one, you can check it out here) Continue reading
Bon Iver – i,i
Indie Rock | Electronica | Baroque Pop
Bon Iver – 22, A Million
Electronica | Folk | Baroque Pop
The National – Boxer
Brimming with dark melancholy, but also with a an inescapable air of worldly wisdom, it’s hard not to be moved by The National. Boxer is the perfect album for contemplation and escapism, for times when you feel disillusioned with the whole of life and humanity and you need something to cling onto to stop you from drifting away into the abyss. When all else fails this album brings comfort.
Bon Iver – Bon Iver
Before you have even listened to this album, one look at what is possibly the most beautiful album artwork ever designed should tell you that this is something special. The band have grown from the folk origins of their debut For Emma, Forever Ago and have expanded into a grand yet delicate baroque pop soundscape. A thoroughly enrapturing listen from start to finish.
Ryan Adams – Heartbreaker
Following the collapse of his band Whiskeytown, Adams went on to create his first solo album. The raw honesty of his lyrics and the passion of their delivery led to a prolific career and Whiskeytown was soon forgotten. The intense beauty of songs like ‘Oh My Sweet Carolina’ and ‘Come Pick Me Up’ have resulted in them becoming some of his most well loved hits.
Tame Impala – Lonerism
With the release of their second album Tame Impala proved themselves to be Australia’s greatest creative force. The mesmerising psychedelica of tracks such as ‘Elephant’ and ‘Feels Like We Only Go Backwards’ hark back to the heady hey day of the late 60s, and yet it feels so refreshingly modern like a vision of an alternate musical future. Indulgent, lavish and expansive it feels like a whole new world waiting to be discovered.