There are plenty of wonderfully emotive songs out there which perfectly capture a feeling, like joy, or love, or heartbreak, and lots of tracks that evoke a certain point in time, expressing the mood of certain seasons or reminiscent of past decades. But one less heard and underappreciated facets of songwriting that holds a place in my heart is the kind of song that manages to embody the spirit and character of a certain place. Music that echoes the symphony of nature, lyrics that can vividly describe a stunning vista, songs which offer an escape by whisking you away someplace else. The latest single from The Greatest Endangered Thing is perhaps the finest example I’ve heard all year. Paired beautifully with some stunning cinematography from filmmaker Brett Chapman, ‘Bramble Lane’ plays as an evocative love letter to the Peak District. There’s a haunting mystique that conjures up the feel of misty moorlands and dark gnarled woods; ancient and unchanging like something from a long forgotten legend. Yet there’s also an air of romanticism that calls to mind the morning sun rising over heather-clad hills, that evokes birdsong and bright clear skies, and brings with it that same sense of freedom and sanctuary that comes with being off the beaten path.
Having the world come grinding to a halt around you is incredibly jarring, especially so for those who found themselves taking their foot off the accelerator for the first time in forever. Suddenly all those burdens of modern society, and the pressure we keep placing on ourselves – the need to pack as much into a day as possible, tailoring your existence around expectations and deadlines, being all about the destination without sparing a thought for the journey – all that fell by the wayside. We suddenly found ourselves encouraged to literally stop and smell the flowers, and in doing so gained a new perspective on the things that truly matter. With their blissful debut single ‘Green, Blue‘, transatlantic duo The Greatest Endangered Thing embrace life in the slow lane. With the warm and welcoming country charm of violin and banjo, the perfectly matched mellow vocals of Samuel Taylor and Rebecca Van Cleave, and a delightful backing chorus of birdsong, it’s an idyllic reminder of the need to put the world on pause once in a while. To spend time with the people we love, bask in the beauty of the world around us, and above all trust that you’ll make it to wherever you’re headed in the end, so you may as well take the chance to savour every step you can along the way.