Spotlight!: Andy Cook

andy cook“What’s a man, anyway?” The question posed, and in some ways answered, by the new release from Minneapolis-based artist Andy Cook. Steeped in all the heartwarming hallmarks of classic Americana, and adorned with hints of 60s psychedelica and 90s dream pop, the EP provides an attentive yet accessible look into the human condition. It’s easy to make music about the dark underbelly of our new digital world and how it divides us, it’s much harder to look past all those distractions and focus on the things that we have in common and make us who we are; here, Cook manages both. The wanderlust inducing ‘Swirl’ whirls by like a summer breeze, ‘Red Lights’ boasts bright riffs and expressive drums, while the melancholy verses of ‘Run’ remind me of Isaac Gracie. The lumbering, other-worldly bass tones of ‘Nothing Changes’ really stand out, while the soft beat and soothing steel guitar of ‘Places We’ll Go’ just makes you want to lie back and watch the world roll by. With this new release you can either delve into the meaning behind it all, or retreat into yourself, the choice is yours.

Fans of The War On Drugs, Angel Olsen and Kurt Vile should check out Andy Cook’s new EP Modern Man out 13th April.

Top Tracks: Augustus James – The Hardest Part

Some genres are perfectly suited to a certain mood, but personally I see Americana as an erstwhile companion that’s always welcome whatever the occasion. Certainly a track such as ‘The Hardest Part’, taken from Augustus James’ debut EP Nora, would be equally at home while cruising down an open road with the sun streaming down, or while watching the rain against the window while you ponder your place in the world. While carrying all the beloved Americana hallmarks we’ve come to expect, the warm understated brass and soothing harmonies make this new track stand out from the crowd. ‘The Hardest Part’ is the kind of track that you can make memories to and can consider to be more than just music, but a lifelong friend.

Top Tracks: Charlotte Enegren – Same Old Joe

Tracks like ‘Same Old Joe’ are among the most difficult to write about, as when all the instruments are working together in perfect harmony it is difficult to pick out your favourite moments. On this new single from Swedish singer/songwriter Charlotte Enegren, taken from her upcoming debut EP Mirror Lights, all the instruments are on a sure and equal footing; from the expressive rhythm section, to the warm ambience of the brass, to the jazzy piano interlude. But all of these elements quite clearly need to be working together to stand any chance of matching the most impressive instrument of all: Charlotte’s astounding voice. An assured blend of jazz, soul and pop stylings, I’m sure you’ll agree it’s one of the most impressive and memorable vocal performances to have ever graced the site. With a voice like that, Charlotte’s potential for greatness knows no bounds.

Top Tracks: Matthew Gordon Price – Vixen Queen

Songs like ‘Vixen Queen’ are special in many ways, but perhaps the most telling of all for me is the sense of wanderlust that they ignite. Listening to this new single from alt folk troubadour Matthew Gordon Price, taken from his new EP Rivalry, I can’t help but picture hiking with friends along some woodland trail, not a care in the world about the destination, just revelling in the journey as the sun streams through the canopy. It’s the kind of song that inspires adventure and leaves you longing to leave your old life behind in search of new frontiers. ‘Vixen Queen’ has a timeless feel that is sure to warm your heart. Bringing together the rustic charm of The Felice Brothers, the lush instrumentation of First Aid Kit, and the passionate vocals of Glen Hansard, Matthew’s sublime new single is one adventure that is not to be missed.

Small But Mighty: Why we need more small festivals

It’s a peculiar time for the music industry. Streaming services are showing record figures, but there are still struggling up-and-coming artists being paid mere pennies. A recent report showed that live music attendance in the UK is at an all time high, yet grassroots venues up and down the country continue to close. Our music industry has experienced a massive boon in recent years, but it seems that only those at the top are reaping the rewards.  Continue reading

Spotlight!: Flicker Rate

flicker rateI can be rather selective when it comes to instrumental music. It needs to feel complete, as though adding vocals into the mix would take something away rather than add in something that feels missing. There are two ways to do this: the first is to pack in so much complex and unique instrumentation that there’s just no room left for vocals, the second is to make something so calming and chilled out that vocals would just disturb the delicate atmosphere. Flicker Rate, aka Irish multi-instrumentalist Spencer Bassett, somehow manages to achieve both of these sounds at once with his third and final EP Skylight. It makes for the perfect background music, but under closer scrutiny all the fantastic little details become clear as day. The title track shows his work at its most mellow and melodic, ‘Shimmer’ factors in electronic elements, and while the guitar generally takes centre stage there’a a lot to be said for captivating drum work on ‘Cloud Drop’.

Fans of Plini, Polyphia, Anathema and Intervals should check out Flicker Rate’s latest EP Skylight.

Live Review: Steven Wilson, Bridgewater Hall Manchester, 31st March 2018

sw2-01Having been a Porcupine Tree fan for many years, and with the band playing a key part in my musical development as it were, a trip to see the main man himself Steven Wilson was long overdue. With his new solo record To The Bone offering some of his most well constructed songs to date (and with the size of his back catalogue that’s saying something) now seemed like the perfect time. I had not been this excited about a gig in a long time, and knowing his reputation for his spectacular live performances over the years, I was eager to see one of my idols in action.  Continue reading