Damon Albarn carried offstage

Mandatory Credit: Photo by Matias Altbach/REX Shutterstock (2759844j) African Express - Damon Albarn dragged off stage at Rosklide Festival Roskilde Festival, Denmark - 04 Jul 2015 Damon Albarn was carried off stage by security after refusing to end a set lasting five hours.

The Blur frontman was recently carried offstage by his stage manager when his headline set at Denmark’s famous Roskilde Festival exceeded 5 hours in length. Albarn and Africa Express (one of his many side projects) played a lengthy set that included a reimagining of various Gorillaz songs and special guests which included soul singer Laura Mvula. You have to salute both his and the audience’s stamina as they all seemed eager for more. As he was carried away he encouraged the crowd to sing The Clash’s ‘Should I Stay or Should I Go?’.

Dave Grohl performs from his throne

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The Foo Fighters frontman has performed from his own custom chair for dates on the band’s US tour after he broke his leg during a gig in Sweden. Grohl say’s that he designed the chair – which is based on the Iron Throne from Game Of Thrones – whilst he was ‘high as a kite’ on painkillers. It features numerous guitar necks as well as the band’s logo. He is undoubtedly making the best out of a bad situation and as much as I wish him a speedy recovery, I want to see plenty more of his creation while his leg heals over the upcoming tour.

Live Review: Barn on the Farm Festival 2015

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Eager for my first summer festival experience I decided to start small. To be honest I don’t think I could’ve picked a better place to start. This welcoming little gathering has an astonishing record for discovering new talent and it’s hardly surprising that it has won awards for best independent festival. With a line-up that for me was beaten only by Glastonbury, I set out under the glorious summer sun to see some old favourites and discover some new incredible music. Continue reading

Grateful Dead celebrate 50th anniversary

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The cult jam band have returned for a celebration of the group’s long illustrious career. The surviving members of the classic line-up have reunited for a series of shows in California for an eager crowd of ‘Deadheads’. It is their first performance together as The Grateful Dead in 20 years. Tickets were in high demand and have been resold at prices as high as $15000. The first of the shows concluded with a rainbow over the stage which has been suggested as being too much of a coincidence and it has been suggested that it was created artificially.

Chris Squire passes away

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Celebrated bassist Chris Squire has died age 67 from leukaemia. A founding member of the progressive rock band Yes, and the only member to appear on every album, his skilful playing has influenced such other great bassists as Geddy Lee of Rush, Steve Harris of Iron Maiden and Les Claypool of Primus.

Live Review: Fleetwood Mac, Leeds, 30th June 2015

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Few bands can truly be called timeless. Few bands are so beloved by every generation in the way that Fleetwood Mac is. ‘Rumours’ is one of the finest albums ever made and it is a grand jewel in the crown that is their glorious discography. After renowned vocalist and keyboardist Christine McVie’s triumphant return to the band after a hiatus of over 15 years, the classic line-up has embarked on a gargantuan world tour to celebrate. I consider myself truly blessed to have been in attendance. Continue reading

Glastonbury 2015

glastonbury logo It’s been a bumpy ride but the world’s biggest and most important music festival has concluded for another year. Thankfully for those of us who live too far away, those who can’t afford a ticket and those who don’t fancy trying to scale the Great Wall of Glasto; the BBC have provided tireless coverage across the major stages. The next best thing to seeing the greatest show on earth in person is to watch it warm and dry at home with a cup of tea. Here are my highlights of the festival coverage from across the weekend: Continue reading

Must Own Albums: Progressive Rock

king-crimsonKing Crimson – In The Court of the Crimson King

King Crimson’s debut is considered by many to be the first true prog album. Instead of following the blues influences of more mainstream rock bands they looked instead to classical and jazz for inspiration. The result is the frantic maddening bursts of ’21st Century Schizoid Man’ and the mellow ‘I Talk to the Wind’. The band’s ever changing line-up would go on to produce even more complex epics but Crimson King was the album that started it all.

2112Rush – 2112

Whilst 1982’s ‘Moving Pictures’ is the band’s most successful album, it was 2112 that made Rush who they are. Ditching their blues origins and gaining drumming god Neil Peart they pursued more and more intricate songs. Their early efforts had met with little commercial success and their label pressured them to tone things down. Instead they created a masterful dystopian epic about a world without music which granted them a massive cult audience which has grown over the band’s 40 year long life.

thick as a brickJethro Tull – Thick as a Brick

Ian Anderson’s Jethro Tull found unexpected success with their previous album Aqualung. After facing nonstop questions about whether it was a concept album and speculating what the unifying concept might be, with the next album he gave the fans what they were looking for. A single, massive 44 minute track spanning the whole album, complete with flute solos, bright sparkling folk, raging rock guitar and an album cover which formed a complete (fake) newspaper that somewhat described the crazy complex theme behind it all.

close to the edgeYes – Close to the Edge

The last great album by the most quintessential prog band. It has everything you’d expect, sprawling expansive tracks taking up whole sides, unfathomably intricate keyboard solos over ever changing time signatures and incomprehensible lyrics. The plain green sleeve, devoid of Rodger Dean’s iconic artwork, was a major statement: “We are putting everything into the music”. This was the band’s creative peak.

genesisGenesis – Selling England By the Pound

Genesis have had a difficult life, facing criticism as both a Peter Gabriel fronted prog band and as a Phil Collins fronted mainstream rock band. This is the closest thing they have to a mid point. It contained their first attempts at radio friendly singles and also featured some of their best epics including ‘Firth of Fifth’ and ‘The Battle of Epping Forest’. Gabriel’s fanciful Alice in Wonderland like characters and narratives create a mental picture every bit as wild and colourful as the music.