
Wow. It feels like a lifetime since I sat down to write a review of some genuine, real life, live music. Hopefully I still remember how! Hopping on the train to a different city, gathering in a venue with actual people, that buzz of anticipation that ripples through the crowd as the artists take to the stage – experiencing it all again after nearly two years apart is a strange sensation. In some ways it felt alien compared to this odd new normality we’ve become all accustomed to, but after a while it felt like stepping back into your old shoes like things had never changed. I guess when live music charms your heart that feeling never really goes away. Fingers crossed though that theory need never be put to the test again, and that this marks the triumphant return of live music in our lives. Where better to get reacquainted with the glory of gigs than the heart of Manchester, and surely there’s no better artist to jump back in with than one of the last performers I saw before everything kicked off – the wonderful Megan Dixon Hood. Continue reading
One of the most frustrating first world problems that comes with running a music blog, especially one covering new acts and niche genres, is discovering incredible bands and artists from across the globe that you may never get to see live. I was worried that Thank You Scientist would be in that category for a good long while yet; a real blow as, being the most exciting prog act around and our 2019 album of the year winners, they were also near the top of my list of bands I most wanted to see. In a stunning stroke of good fortune however, TYS decided to embark on a UK tour. Despite everything from stormy weather to closed rail links battling to keep me away, I was determined that this was one show I was not gonna miss!
As January lingers on it still feels like a time for looking forward and thinking on the future. That suits us just fine as in a way Belwood is all about looking forward as we champion new music and up-and-coming artists. It seems fitting then for my first gig of the year, of the decade even, to be Megan Dixon Hood, our ‘
It seems odd to think that in a busy year for gigs, this was perhaps the one I was the least excited about leading up to it. I’ve been a big National fan for years now but due to various misfortunes and twists of fate I kept missing out on seeing them live. Then, when I finally get my hands on a ticket, they go ahead and release the deeply disappointing
The Lumineers are a band that have consistently surprised me. I wrote them off as a Mumford clone and they came back with a brilliant
If you’re a regular visitor to Belwood then you’ll know that my all time favourite artist is Foy Vance. He’s the artist I’ve seen the most, and the
What artist most exceeded your expectations when you saw them live for the first time? For me it was Hozier. I saw him live in London just as the hype surrounding ‘Take Me To Church’ was reaching a fever-pitch, after following his meteoric rise right from his first EP. In a sold out show in Shepherd’s Bush there was an electricity in the air which I’ve only experienced a handful of times, the kind that makes just another date on a tour feel like something special and unique. To this day it remains one of my favourite gigs. Several years down the line, and with a new album under his belt, I decided to see if the magic was still there.
A lot can happen in ten years. People change, trends come and go, and a small gathering of music fans in a wooden barn in Gloucester can become the best festival in the world. After building up a reputation over the past decade for championing new music, breaking down barriers, and being the most warm and welcoming festival family around, Over Farm found itself at the centre of a very special birthday. With Barn on the Farm celebrating it’s tenth anniversary (and Belwood returning for a fifth year), expectations were high that they would pull something special out of the bag. And, in spite of a few big names pulling out last minute, they did all that and more.
They say you should never meet your heroes as they never live up to expectations. Leading up to this gig I was worried that the same principle applied to seeing one of your favourite artists live. After discovering Glen though the usual method, falling deeply in love with the movie Once, I’ve become a deep admirer of his artistry. Although not always captured by the studio versions, the energy of his live performances that I’ve seen online are just in a whole other league. He sings with such passion, as though music were his sole purpose and he is giving away his very life-force to his songs. Some of these have proven to be some of my favourite live performances of all time, videos that I watch almost religiously. That is an awful lot of expectation to live up to, but when Glen announced a new tour I decided it was a risk I had to take.
Generally the start of a new year is a time for looking forward, but I thought it would be an equally good time to momentarily look back. Surely there’s no better way to spend my first gig of 2019 than checking out the band behind one of the best releases of 2018. We stumbled across Icelandic indie folk outfit Árstíðir shortly after they released their latest record