Diablo Swing Orchestra – Pacifisticuffs
Progressive Metal | Swing | Symphonic Metal | Avant Garde
81%
Diablo Swing Orchestra – Pacifisticuffs
Progressive Metal | Swing | Symphonic Metal | Avant Garde
81%
If you need a heartwarming track to help you snuggle up on these cold winter nights, then the latest single from singer/songwriter Will Varley is just what the doctor ordered. Taken from his upcoming album Spirit Of Minnie, out 9th February, ‘Statues’ is a laid back slice of Americana boasting a rich musical palette of airy slide guitar, quiet contemplative folk and Will’s gritty vocals. Lyrically it talks about feeling stuck in a particular place and time, longing for change, but should you find yourself stuck with this sublime song on repeat I wouldn’t change a thing. It’s the perfect song to get lost in and forget about life for a while, and there’s sure to be more great tracks just like it on the way in the new year.
It’s truly been a stand-out year for stunning solo albums from members of big established bands. One of the main highlights was the surreal psychedelic soundscapes and theatrical lyricism of Filthy Apes and Lions from The Killers bassist Mark Stoermer. Creating colourful worlds and spinning sinister stories, it was one of the most surprising releases of the year. Belwood Music was lucky enough to catch up with Mark over the phone and ask a few quick questions about his new solo record, as well as talk about The Killer’s new album Wonderful Wonderful: Continue reading
If some celestial visitor with no experience of humanity and it’s art asked for some examples what would you give them? If you had sum up what folk, in particular that indefinable Americana sound, was all about in one song, you’d present a damn good case with the new single from Winter Mountain. It has all the musical elements you’d expect; resplendent guitar tones, a warm welcoming atmosphere, and vocals that find the perfect mid-point between gritty and uplifting. More than that however, the music reflects part of the human spirit. The video is a perfect fit with its crashing waves and roaring campfire, as if you just close your eyes you naturally imagine just such a scene. Music says a lot about an artist, but sometimes it’s nice to find a song that lets you sit back and see the bigger picture, and think of the art that’s in all of us.
The new single from Scottish singer/songwriter Gus Harrower really doesn’t mess around. With ‘Cell Dilution’, taken from his upcoming EP Where We Were, Gus throws everything he’s got at you. The piano led intro weaves through some suave little swing sections into impassioned heartfelt balladry. It’s not long however until the track kicks it up a notch, throwing stylish synths and expressive drums into the mix, punctuated with gritty guitar bursts. This track is straining at the seams, crammed full of varied and engaging sounds, of which I’d pick out the jazzy piano work as the pièce de résistance. There are few acts this year that can pack in so much diversity and yet still make it work, which really reflects Gus’ talents as a songwriter and the enormous potential he carries.
There’s a lot of talk this time of year about the “Sound of 2018” and the “ones to watch” in the coming year. Often these just serve to score points, rather than capture any sense of zeitgeist, but I truly feel this debut single represents something significant. With ‘Glory’ young Chloe Bodur brings together subtle little experimental flourishes reminiscent of Frank Ocean and Childish Gambino, but still maintains the smooth and intoxicating appeal of classic soul. It pushes the boundaries enough to stand out from the crowd but is inviting enough to make you want to play it on repeat all day. Mark my words, Chloe is ahead of the curve with this one, and I’m sure we’ll see plenty of other artists unwittingly trying to recreate this sound in 2018. Whether any will beat ‘Glory’ though is another matter.
In a way the birdsong that opens this video couldn’t be any more fitting. This soulful slice of blues rock from Australian artist Hamish Anderson feels so natural. The warm and inviting vibes are just so inherently likeable that it may well be hardwired into your DNA, and the track flows so effortlessly from him as though it were as natural as breathing. The simply titled ‘U’, taken from his debut album Trouble, offers rich vintage guitar tones, smooth and expressive vocals, and the familiar organ hum that has graced many a classic record over the years. The whole track is like the musical equivalent of honey; golden, luscious and bringing with it a kind of rustic charm. This song offers simple pleasures and it delivers and delights by every measure.
One of the most common and important human desires is a need to be understood, and that is in essence what this new track from Cheshire born singer/songwriter Megan Dixon Hood is all about. ‘Alias Grace’, based on the novel of the same name by Margaret Atwood, tells the tale of the eponymous Grace. Plagued by vicious rumours of a crime she didn’t commit, and lamenting how people wrongly see her as a monster rather than her true self. As well as molding the story’s world and characters into a wonderfully crafted narrative, musically it also offers a gorgeous refined style recalling everyone from Joni Mitchell to Fleetwood Mac. With expressive bass tones, elegant piano, and Megan’s angelic vocals, this song portrays in its music Grace’s true self; tender and dignified, yet equally proud and unyielding.
Maybe I just read too much into things, but sometimes you find an artist beyond their years, reflected in their songs. Sometimes you hear a voice that sounds as though it has regaled a thousand stories down the years, sharing words that show the wisdom of one who has an intimate knowledge of the world, and it simply doesn’t match up with the artist in question. With his debut EP Maze, Berkshire born singer/songwriter Lorne sounds as though he’s been releasing music all his life. The striking ‘Bread Alone’ shares a message of seizing the day and living life to the fullest, and feels like a ray of sunlight parting the clouds. The subtle electronics on ‘Cocoon’ supplement the elegant piano beautifully, recalling acts ranging from Benjamin Clementine to Bastille. ‘Oil and Water’ and ‘Navigate’ move closer into pop territory, but still maintain the mature and refined vibe that makes Lorne stand out from the crowd. Drawing inspiration from such artists as Peter Gabriel and Damien Rice, this classically trained pianist combines airy atmospheres and pop sensibilities, with his own elegant and sophisticated artistry.
Fans of Birdy, Five For Fighting, Bon Iver and Tom Odell should check out his debut EP Maze
Sometimes it’s the simplest music that says the most, and has the greatest power to move us. The debut single from this half Jordanian, half Irish singer/songwriter thrives on nothing more than the bare essentials. Open and vulnerable, with just her voice and the piano, ‘Whisky’ is an intimate and heartfelt break-up track about Keeva’s move to London and all the difficult decisions and changes that came with it. This soulful little number, which features a co-writing credit from Benjamin Francis Leftwich, manages to sum up a vast swirl of difficult emotions in a raw and straightforward message. With a classic vibe to it, this whisky has been aged to perfection, and carries a timeless feel that speaks to something deep within. Rarely do you find a debut single as strong as this.