Spotlight!: Simon Baum

simon baumBeing a singer/songwriter and performing in very stripped back and intimate arrangements is all about creating a sense of honesty. Sharing with the audience something personal and meaningful, baring your soul for the world to see. London based artist Simon Baum understands this role better than most. With his new EP Better he has crafted four touchingly heartfelt songs that say a lot about his character. The title track speaks of being thankful for what you have and feeling confident in one’s self, and ‘It’s All For You’ is a moving declaration of love, complete with vivid lyrical imagery. ‘Firelight’ sees Simon’s voice at it’s most vulnerable and delicate, while the incredibly moving ‘Bridges‘ shares an important message of togetherness, and about how the only way we can make the world a better place is to celebrate the things we all have in common. Simon Baum gives a modern spin to the classic 70s singer/songwriter sound of artists such as James Taylor and Joni Mitchell, producing an intimate portrait of himself within his music, albeit one that we can all see some small part of ourselves within.

Fans of Seafret, Frances, Isaac Gracie and Billie Marten should check out his new EP Better.

Top Tracks: Whitehorse – Nighthawks

The latest single from this Canadian duo has all the wickedly addictive pull of the classic psychedelic pop sound. ‘Nighthawks’, taken from their upcoming album Panther In The Dollhouse out 4th August, boasts some stunning melodies. With 60s surf rock reverb, hints of modern electropop, and a chorus with more hooks than a tackle shop, it’s a genre-bending track that’s hard not to love. On paper, all these separate elements are things you would associate with something upbeat and summery, instead it spins them around a slick noir vibe that simply oozes attitude and danger. The end result is a song so certifiably badass that it seduces you a little more with each new listen. One of the most captivating and rewarding listens you’re likely to find right now.

Top Tracks: Calais – Seeing It All

This Brisbane based band have released one of the most attention-grabbing indie singles of the year. Although this Australian outfit boast a synth driven sound akin to our own up-and-coming Blossoms, the real pull of this track lies with its chunky bass lines. I honestly can’t remember the last time I heard such sublime bass tones within a rock song. Lyrically ‘Seeing It All’ deals with a relationship that becomes so consuming, you lose all sense of self and purpose without that person, and the subsequent journey to find yourself that follows. That deeper meaning within the song is adorned with indie hooks to make the perfect playlist material. Australia has had a real musical renaissance in recent years, so keep a close eye on Calais, as they could be the country’s next great export.

Spotlight!: Ailbhe Reddy

ailbhe reddyThis Dublin born singer/songwriter, having already made waves in her native Ireland, seems set to carve out a path towards international acclaim. With her new upcoming EP, Ailbhe Reddy crafts a curious amalgamation of styles. Attach To Memory combines elements of folk, indie and electropop; all underpinned by her unique vocals, recalling everyone from Lianne La Havas and The Cranberries, to Daughter and Feist. Indie rocker ‘Fingertips’ takes a frank look at female sexuality and boasts a curiously addictive chorus, while the folky beginnings of ‘Never Loved’ conjure up an image of falling leaves in some picturesque city park. ‘Disconnect’ builds towards a climactic wall of sound and the genre-hopping ‘Loose’ sees Ailbhe’s voice at it’s very best, shifting from psychedelic soul to beat driven pop perfection. There are a thousand tiny elements within the music that I could trace back, but all together they create a sound that is truly one of a kind. Following on from the success of her first release Hollowed Out Sea, Ailbhe Reddy has kicked it up a few notches and seems sure to reach even greater heights with furture releases. The sky is the limit.

Fans of Feist, Daughter, Lanterns On The Lake and Lianne La Havas should check out her latest EP Attach To Memory out 24th May

Chris Cornell passes away

Chris_CornellOne of the most iconic frontmen of the 90s, Chris Cornell of Soundgarden has passed away. Early reports suggest the singer tragically committed suicide. One of the most influential rock singers of his generation, he was one of the key figures in the grunge movement that defined an era. As well as releasing such acclaimed albums as Badmotorfinger and Superunknown with Soundgarden, he also fronted two short-lived yet enduring supergroups; Temple of the Dog with members of Pearl Jam, and Audioslave alongside members of Rage Against The Machine. His solo career saw him perform ‘You Know My Name’, the theme for the 2006 Bond film Casino Royale. His work inspired a whole new generation of rock bands and he will be sorely missed.

Top Tracks: Carlo Barbagallo – Any Girl’s Eyes

Belwood is proud to premiere the new video from Sicilian musician and songwriter Carlo Barbagallo. ‘Any Girl’s Eyes’, taken from his new album 9, stands at the crossroads between folk, jazz and soul, having explored a fair share of miles towards each musical horizon. With an airy melody reminiscent of Nick Drake, albeit fleshed out with an understated brass section, smatterings of soulful guitar and organ, and slick piano work, the track stands as an impressive and expansive music monument. Straddling the line between classic and contemporary, Carlo has taken a deceptively simple song and has given it a larger than life sound. Carrying the same kind of ambition and attention to detail that you’d find on Michael Kiwanuka’s acclaimed album Love & Hate, it’s easily the best R&B offering that I’ve heard thus far in 2017.

Top Tracks: Hermetic Delight – Vow

Belwood Music is proud to premiere the music video from Hermetic Delight. ‘Vow’, the title track of the French band’s latest EP, is a dark and eerie voyage through a nocturnal landscape, complete with menacing post-punk instrumentation and vocals reminiscent of Courtney Swain from art rock band Bent Knee. The new video follows each of the band members as they wind their way through the city streets; from the brightly lit hustle and bustle, to its dark and seedy underbelly. Jumping between each band member, each new turn takes them deeper into an unseen world, where the threatening tension of ‘Vow’ seems all the more potent. The song and its accompanying video work in perfect harmony to create a broody atmosphere that is hard to pull yourself out of.