(Guest Author: Ailish Barker-Brown)
American Country band, Little Big Town, had an extremely successful 2014 with the release of their sixth studio album, ‘Painkiller’ of which the lead single, ‘Day Drinking’, went on to reach number 2 on Country Airplay. They also won Vocal Group of the Year at the CMA (Country Music Association) Awards in November, beating Lady Antebellum, and were invited to join the Grand Ole Opry by country legend Reba McEntire. They’re all set for a successful 2015 too, beginning with their UK ‘Painkiller’ tour and the release of their latest single, ‘Girl Crush’. I was lucky enough to get a ticket to see them perform at The Ritz. Continue reading
music review
Album Review: Blackberry Smoke – Holding All The Roses
Album Review: Peace – Happy People
Album Review: Two Gallants – We Are Undone
Album Review: The Charlatans – Modern Nature
Album Review: The Decemberists – What a Terrible World, What a Beautiful World
Album Review: Howlin’ Rain – Mansion Songs
Must Own Albums: Best of British
David Bowie – The Rise and Fall of Ziggy Stardust and the Spiders From Mars
A concept album that tells the tale of Bowie’s greatest musical alter ego; a bisexual alien rock superstar that is here to present mankind with a message of hope. The story is rather vague but you don’t need to follow it to enjoy some of Bowie’s biggest hits, such as ‘Starman’, ‘Moonage Daydream’ and the title track ‘Ziggy Stardust’.
Elton John – Goodbye Yellow Brick Road
Elton’s finest work and one of the best double albums ever produced. The wonderful lyrics by Bernie Taupin come together with the music to craft magical imagery to tell various tales of larger than life figures; be they cowboys, gangsters, glam rock stars or real life icons such as the Marilyn Monroe tribute ‘Candle in the Wind’. Most double albums cannot maintain good quality music consistently throughout, but here it seems effortless and there is never a dull moment.
Pink Floyd – The Dark Side of the Moon
One of those most iconic images in the history of music, and one of the finest concept albums ever produced. Rogers Water’s lyrics cover themes such as life and death, conflict, greed, mental illness and the passage of time. It was produced using some of the most advanced recording techniques of the time and even today there is nothing that quite matches it’s unique sound. It’s no wonder that it spend around 14 years in the album charts, a feat that has never come close to being matched.
At the time it was the most expensive album ever produced, and it’s worth every penny. The album is summed up in it’s pinnacle, ‘Bohemian Rhapsody’. There’s tender moments of heartache, frenzied moments of anger, a fair bit of lunacy and a whole heap of fun. Each member pulls his weight and makes valuable contributions towards making this Queen’s best album.
This band has a rather mixed parentage but I certainly believe that it holds a British passport first and foremost. Music is about passion, It’s about putting your emotion into the songs and having other people feel that way when they listen. Rumours was written with nothing but passion of one form or another. The band members at the time were falling in and out of love, experiencing joy and sorrow in equal measures and you can feel it in every song
Live Review: The Gaslight Anthem, Alexandra Palace, 19th Nov 2014
Generally when you experience any sort of live music, it falls into two categories. You have the small, intimate gigs that have a friendly sociable atmosphere, which feel like a unique, once-in-a-lifetime experience. It’s moments like these where it would hardly be surprising if the act bought a round of drinks at the end of the set and spent hours hanging out with their fans. At the other end of the scale you have massive stadium tours and festival crowds. You are but a tiny speck in a galaxy of faces staring with adoration at some larger than life music idol. As I stood in the magnificent Alexandra Palace that fateful autumn evening it struck me that I was experiencing a bizarre mix of the two. Continue reading
Live Review: Jack White, Leeds, 17th Nov 2014
The musical mad scientist that is Jack White has been a juggernaut of rock music for a good few years now. Both with The White Stripes and with his side projects, The Raconteurs and The Dead Weather, he has written some of the most memorable riffs of a generation, composed crazy, artistic and innovative songs with equally amazing videos and has spearheaded the revival of the blues… all whilst acting like an over-the-top Johnny Depp character. So with the recent tour supporting his latest solo effort ‘Lazaretto’, I headed down to a gig in God’s own county to see whether or not he still had the magic touch. Continue reading



Two Gallants – We Are Undone





