If anywhere in the world knows about summer it’s Southern California, and therefore it should come as no surprise that their native bands know how to write a feel-good summer hit. With their debut EP The Standard Affiliates have made a worthy addition to SoCal’s extensive arsenal of summer ready indie rock anthems. Boasting high energy and high spirits, it doesn’t take much to picture their songs as real crowd pleasers in a live setting. The infectious chorus and bright riffs of ‘Is It News To You’ reminds me of Clean Cut Kid, while the rhythm section work overtime on the intro of ‘Shack’ to build up the beat like a galloping stallion in the distance heading your way. The sharp squalling guitar tones of ‘Naive’ really jump out at you, ‘Daydreams’ conjures up images of carefree days on the beach with its surf rock vibes, while ‘Paint it Gold’ sees The Standard Affiliates at their peak with an indie pop banger that is up there with the best of them. If you need a band to soundtrack your summer adventures, or inspire you to get out there and start them, then you’re in luck.
The Standard Affiliates debut EP Standard is out now and is perfect for fans of Clean Cut Kid, Flyte, The 1975 and the Courteeners.
Though they probably have the least rock’n’roll origin story that I’ve ever heard, having all met via Craigslist, this LA based quartet prove that great music can come from the most humble of origins. With their latest EP Dichotomy, Midnight Divide prove to be a multifaceted marvel dabbling in a diverse range of influences. The mellow intro of ‘Fireline’ has the feel of some children’s music box before building into a fantastic melody driven hit. ‘Animal Eyes’ sees the band following a harder alt rock path, with frontman Austen Moret’s vocals in places reminding me of Franklin James Fisher from Belwood favourites Algiers. ‘Talking’ is a classic cut of bright indie rock, while the restless ‘Ketamine’ begins with a short section reminiscent of ‘Hocus Pocus’ by Focus, and displays some curious reggae influences in the latter half. while somehow linking it all together seamlessly. Any band that aims to blur the lines between genres with such reckless abandon gets a big tick in my book. With songs of this standard Midnight Divide have my utmost respect and my undivided attention, and I recommend you offer them the same.
A first release is a daunting thing. It’s said that you can only make one first impression, and when it comes to music you need to give the world an idea of where you come from, what manner of person you are, and what path you intend to follow, all in just a few minutes. With her debut EP Waiting, singer/songwriter Bella McKendree makes a difficult task seem like the most natural thing in the world, which to me is the mark of a great artist. The title track builds from its sparse piano driven opening, with the expressive drum tones of the track’s closing moments proving to be the cherry on top of the carefully crafted atmosphere. There is no greater atmosphere however than that of ‘Grieve’; an expansive feel akin to Daughter or Lanterns on the Lake, given fresh urgency by the restless beat. ‘Don’t You Wanna Be Loved’ offers a more mature, bluesy sound, the kind you’d expect drifting from some exclusive jazz club in the heart of London. But it’s on the closing track ‘Baby Lets Fall’ that Bella’s vocals really take centre stage, proving to be nothing short of angelic. Sometimes first impressions are so good you wish you could hear them again for the first time.
One of the unwritten rules of being a music lover is to support your local scene. Not only out of principle, knowing that every great band started out at exactly the same point once upon a time, but also because you never know what gems might be hiding away just around the corner. In a world of polished and overproduced indie rock, it’s nice to find a local marvel like The Claxbys who aren’t afraid to go back to the genre’s roots and embrace a “rough around the edges” approach. ‘Just Another Day’ matches some superb bass tones with sharp riffs and skittering drum fills, while ‘Tomorrow Never Comes’ has built an indie anthem atop a subtle yet expansive atmosphere that makes the track stand out and worm its way under your skin. ‘Weezer Song (Photograph)’ shows the band at their most raw and features their most complex and emotive drum work, and ‘Alone in the City’ defies it’s lonesome lyricism by being the EP’s most buoyant and exuberant offering. The trouble with trios is that each member needs to meet the same standard, or the whole thing collapses. Thankfully here are three lads who are evenly matched and perfectly prepared to offer up some top-notch classic indie.
Hailing from Merthyr, South Wales, Chapel Row exhibit a kind of raw energy and pent-up frustration that defies expectations. Their gritty, no-nonsense rock is a sharp wake-up call from the mundanity of modern life, delivering the kind of passion that is all too often missing from the scene at the moment. Combining relatable teenage angst with musical talents beyond their years, these lads are on to a winner. ‘Lockdown’ is a hard-hitting rock masterclass that is sure to get your blood pumping. ‘She Knows’ with it’s big hooks reminds me of fellow Welsh band Catfish and the Bottlemen, while the intricate rhythm and anthemic chorus of ‘Cold’ makes for the perfect festival crowd-pleaser. Every so often you hear a band that ignites a fire in your heart and pumps pure electricity through your veins, and this is just such a band. Thoroughly intoxicating, and just the right level of rough around the edges, Chapel Row are one of the most thrilling bands in the UK right now, and with a bit of luck will have a big break on the cards in the near future.
This Paris based indie pop pair have given a whole new dimension to pop music with their eclectic and intelligent songwriting. With the duo’s debut EP, Multi-instrumentalist Axel Concato and Danish born singer Pia Blixen find the perfect balance between innovation and accessibility. ’21st Century’ has all the flair and positive energy of 60s surf rock, while ‘
The days of the dynamic duo are upon us, and this pair hailing from London and Sheffield respectively are a welcome new addition to the fold. With their debut EP, rising synthpop stars Millie Gaum and Andrew Brassleay have merged retro 80s synths, futuristic electronica and polished pop production to create a sound that is very much the ‘in’ thing and is sure to find legions of new fans in no time. ‘New Skin’ bears all the hallmarks of Chvrches with its crowd-pleasing melodies and big, bold percussion. The quirky ‘Gift Tag’, with its driving rhythm and infectious chorus, is reminiscent of Grimes. The intro of ‘Together’ sounds like the lovechild of Lana Del Rey and the Stranger Things soundtrack, while ‘Eternity’ sounds like some robotic lullaby from the distant future. From Apes To Angels have a synth sound that is up there with the best of them, and with this assured and accessible first release they seem set to go from strength to strength.
Being a singer/songwriter and performing in very stripped back and intimate arrangements is all about creating a sense of honesty. Sharing with the audience something personal and meaningful, baring your soul for the world to see. London based artist Simon Baum understands this role better than most. With his new EP Better he has crafted four touchingly heartfelt songs that say a lot about his character. The title track speaks of being thankful for what you have and feeling confident in one’s self, and ‘It’s All For You’ is a moving declaration of love, complete with vivid lyrical imagery. ‘Firelight’ sees Simon’s voice at it’s most vulnerable and delicate, while the incredibly moving ‘
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